Stiger Sola blames some of his producers for his poverty
It is almost close to three decades that legendary folklore musician, Monaga Molefi, has been in the industry. But sadly, the passionate Molefi only has a guitar and local fame to his name. He blames his destitution to some producers who he says used him to enrich themselves at his expense.
Molefi explains that producers robbed him of millions he made through his music. He claims that if it weren’t for the two producers, one locally-based and the other a South African, he would today be ranked among the richest musicians in Botswana.
In an interview with WeekendLife, Stiger Sola – as Molefi is affectionately known to his followers – narrated the road he has walked in his music career. He talks about it in a way a fallen hero would, painting a sad picture of unscrupulous producers he met along the way.
Born 55 years ago in Maun, Molefi’s love for music was bred by her late mother who he regards was a great singer. He says he got the passion and loyalty for music from her.
According to Molefi her mother was known in Maun for her vocals, so she always had gigs to perform at and she would always take young Molefi along to witness her mother on stage. This is where his love for music grew. He believes the spirits, through his mother, called him to music and feels that music is in his blood as part of him.
Molefi realized that he could not only sing but could also compose songs. In 1973, Molefi started to play a home-made, four-string guitar as he sang his folklore music. He continued to play and sing using his home-made guitar until 1980, when he finally managed to buy his first acoustic guitar.
It was at this stage that he realized and believed that his life-long dream of becoming a great singer was gradually becoming true.
The name of Stiger Sola started to grow big and circulate at a faster pace in Botswana. Even abroad, Molefi attracted big international music dealers who wanted to work with him.
His increasing popularity tickled and encouraged him to always surpass himself with each new song he wrote and performed.
Molefi says all he saw was success in his future and was not aware of the lurking predators among the smiling and willing producers who promised to take his career further.
In 1997, he was called in by prominent South African music producer who owned recording studios in Johannesburg, who produced his first ever album titled Khubama. In 1998 he released another album titled Mamelodi under the same studio.
Molefi says it is these two albums that have fuelled both his international fame and further demand of his music. He recalls that in South Africa he was labeled among the best folklore musicians. He found himself at various gigs sharing the stage with big international music legends, in the likes of the late Mahlatini, Lucky Dube, Brenda Fassie and today’s master guitarist, Ray Phiri.
It is through these two albums that Molefi broke new ground by becoming the first ever Motswana to scoop the South African Music Award (SAMA) in 1998. He succeeded against well-established music legends who were nominees for the award (Johnny Mokhali, Steve Kekana and Brenda Fassie). The same year he also won the first Botswana Music Award of 1998.
Molefi decries that even though the demand and selling of his albums were very high, all the money being made went to his producers’ accounts. He explains that he only got more and more fame while the money went to producers. He regrets his lack of legal knowledge and his ignorance of how the music industry works, saying this cost him greatly.
“I remember when I arrived in South Africa; a renowned SA producer gave me some papers to sign. But I never asked what they were for, so he also did not bother to tell me,” says Molefi. “So when I always tried to complain about him cheating me, he would produce these papers claiming to be proof that we agreed to share the money.”
Molefi claims that the two albums alone were reported to have made over 2 million Rand in a short period of time. But he says out of these millions, the Recording Studios only paid him 20 thousand Rand.
After realizing that his producer was robbing him of his money, Molefi broke ties with the Recording Studios in 2001. He came back home to Botswana with little money in his account.
In Botswana, he met another local music producer, a gospel singer, who owned a recording studio. The same year he released an album titled Galalela, followed by another two albums of Bana ba dikole and Sethukuthuku.
But Molefi says the local producer was no different from the South African producer, claiming that the local producer also robbed him of his earnings, leading to breaking up of their business ties.
“When it was time to get my earnings from him, he would tell me stories that the company sales representatives are stealing the money. So due to that, he would always give me peanuts out my own money. This was an everyday excuse when it was time to get my money,” he said.
In 2006 the South African producer again promised to work things out with Molefi. He called him back to the studio in South Africa.
In the same year, they released their third album together titled Khoi Khoi. But, according to Molefi, the producer was still the same untrustworthy business partner. He claimed that the producer continued to take much of his money into his personal accounts.
Molefi told Weekend Life that it was then that he said his final bye byes to the South African recording studio.
The legend came back home to Botswana with only a guitar in his possession. He reveals that his pockets were totally empty and feared the poverty looming to strike his household.
These financial circumstances, stalled and affected his music career, he says, since he did not have any money to carry on with his music career and, for lengthy periods, was unable to perform at any gigs.
Fortunately, Molefi met Emcee Keal of Keal Entertainment, a Maun-based producer.
Molefi says the producer sympathized with him and agreed to help resurrect his music career.
Under Keal Entertainment, he released an album titled Ko Morakeng in 2006. But now that the album was being released by a local studio, it did not perform well on the market as compared to the past ones. He explains that, because he was struggling with money, he failed to market the album nationwide and was only known to a few locals in Maun.
A dejected Molefi says even to today, he is finding it hard to survive in the music industry, adding that his music career continues to drown. Molefi sees himself as a fallen legend whose efforts can only be seen in Presidential Competitions and other local events surrounding Maun.
Though he labels himself as a man of God who eyes to be a pastor in the near future, Molefi laments that he will never forget nor forgive what Gospel Singer Mpho Nakedi and Richard Siluma did to his life.
“It is a pain that I will die with in my heart, it’s something that is hard to be forgotten and forgiven,” he says.
He explains to Weekend Life that what hurts him most is that even to the present day his past albums are reported to be still selling lots of copies and millions are getting into their accounts. He says that there are no royalties that he benefits from. Molefi explained that he recently tried to find legal assistance so that he can also claim his music royalties. But, unfortunately, he has been told that the case needs money, which he does not have.
Molefi has found solace in his new producer. He says he trusts in him and that he is totally different from the past two producers he met before.â€¨He is currently working on a new album which is expected to be released in April this year.
Thabiso Tshwenyana is certainly a bright spark. He has been hitting the books, at the same time pushing hustle on radio! Well, you may not know who I’m talking about right now unless I refer to him as ‘Lerapo’, or ‘Bundle of Joy ya Radio’, as he is commonly called by his aficionados on radio.
Lerapo is resolute on taking over the entertainment and broadcasting space, of course wearing many hats as a radio host, content producer and a socialite. Not only that, he is a fresh Real Estate graduate currently functioning as a property analyst.
One may wonder how this young lad (currently 23-years-old) managed to be on radio, at the same time pursuing his Degree in Real Estate. Well, he says it took grit, time management and really doing what one likes. And he is right, because in today’s world anyone can call themselves a presenter. But it takes unparalleled skill, unbreakable determination, and heaps of talent to captivate an audience of millions.
Whether or not you think he’s the best, there’s no arguing that Lerapo is possibly the most prominent young radio presenter to hail from the Botswana. Initially starting his career in 2017, Lerapo earned himself a reputation as ‘Bundle of Joy ya Radio’ by consistently pushing the boundaries of what could be said and done.
His shows consists of outrageous humor and youthful content that’s shocking the radio establishment, and taking young people to cloud 9. The show is called The Youth Café on Duma FM, and airs every Saturday between 2PM and 2PM, broadcasting in vernacular.
When sharing with Weekendlife his startling life on radio and how he will be turning it down this year, he says the journey started back in 2017 at RB2 where he hosted a 30-minute feature. “I am definitely a go-getter. I love radio and this has been my childhood dream! I held onto this dream and survived against all odds. I am happy to be on radio because after all the knockings, snubs and distressing coercions, I persisted nonetheless. Sometimes it was just a matter of being at the right place at the right time.”
Before joining Duma FM in 2019, he was a content producer at yet another youthful urban radio station Yarona FM. At the age of 23-years old, Lerapo has worked at three radio stations, both government and private urban stations. Remarkable! For someone aspiring to be on radio, I can confidently say he is the pluq for inspiration and familiarity.
He continued to dish more on what radio really needs, saying “Taking time to perfect the craft, being open to learn from others and just digging down on books and the internet on how radio works did magic to me. It became easier to comprehend fully what I needed and how to go about getting it.”
Being a radio presenter means having a whole team prior to going on air. This means having a show prep, and reflecting on how the show went down with your producers or programs manager. Programs manager handles the business of the radio station and leave the voice and personality to the presenter.
Presenters have to follow rules of the programs manager even if they may not see eye-to-eye. They may prefer to play safe and repeat music even though sometimes a presenter prefers to take a risk and make changes to the music. Nevertheless, the success of the radio station lies in programs manager’s hands.
“After a show I usually have a reflection on how it went then I plan for the next show. On Tuesdays I have what we call an ‘air check’ with either the programs manager or his assistant to identify hiccups on the previous show and see how best to work on them to have a great delivery on the next show. Since I produce my own show, I give them a preliminary show prep. Once approved, I start contacting guests to be featured on the show and later share the final show prep a day before the show airs with the bosses.”
Still on his show, he does live reads. These are paid adverts that he discusses with the marketing department prior to his show going live. Well, as for a sizzling playlist, the music compiler knows how to serve him right.
He says a great radio hosts listens, reads and makes a show about the listener. ‘A common mistake we make as radio hosts is that we make the show about us and tend to feel that we know more than the listener. We also ought to respect the listener, these are our clients after all. Radio hosts should also refrain from relying on social media for content, most of it is fake and unverified by relevant authorities.”
December 2019 was the time a case of the contagious Corona-virus was first identified in Wuhan, China. The world has never been the same again, as the deadly virus swept across countries and killed many people.
Symptoms of COVID-19 are variable, but often include fever, cough, fatigue, breathing difficulties, and loss of smell and taste. African countries felt the heat too, as the first case reached the continent through travelers returning from hotspots in Asia, Europe and the United States. The first COVID-19 case was recorded in Egypt on 14 February. Since then a total of 52 countries have reported cases.
Most African countries took swift action early on, and it is largely thanks to these efforts to limit gatherings and strengthen public health capacities. Governments introduced back-to-back lockdowns, curfews and the compulsory wearing of masks in public places.
Some countries suspended forthwith cross-border trading, save for commercial and transit cargo related to essential and critical services. Air transportation, tourism and social events were at one point shelved to mitigate the spread of this virus. For many countries, this mechanism helped reduce infections, however, numbers don’t lie. COVID-19 in Africa has since taken a drastic turn, with numbers now surging at an alarming rate.
The neighboring South Africa has from the onset, been the only country in Africa with the highest number of COVID-19 cases. As of Monday January 4th 2021, there were over 1 Million (1 113 349) infections after the country recorded 12 601 new cases post festive season.
The number of Corona-virus deaths in South Africa has now surpassed the 30 000 mark, the highest in the entire continent. Gauteng province continue to record most cases of the COVID-19, now leading with over 301 thousand cases.
Reports from South Africa say mortuaries have ran out of space as COVID-19 bodies’ pile up. Funeral parlor owners say they are under immense pressure and are battling to cope with the high number of burials they have to perform due to deaths from the contagious Corona-virus.
The country is currently under level 3 lockdown. President Cyril Ramaphosa announced during an address that there will be a nationwide curfew from 9PM to 6AM, subsequently banning the sale of alcohol from retail outlets and the on-site consumption.
In Botswana, President Mokgweetsi Masisi extended a curfew until January 31st 2021. In his address to the nation this week, Minister of Health and Wellness Dr Edwin Dikoloti said there shall be no movement of people between 8PM and 4AM until month end while the Presidential COVID-19 Task Force team continue to assess the complexity of the virus.
Botswana currently have over 13 thousand (13 613) confirmed cases of the COVID-19 virus, with a significant number of recoveries that stood at over 12 thousand (12 481), as of Monday this week. The Corona-virus claimed over 45 Batswana lives. There were 563 new cases confirmed on Monday.
According to COVID-19 Case Report, there are 553 859 total tests conducted, 407 055 of which were local tests, while 1827 were transferred out. Zimbabwe has 15,829 confirmed Corona-virus cases and 384 deaths as of January 5, 2021. In response to increased COVID infections, the government instituted a new nationwide lockdown on January 5. Curfew is in effect from 6PM to 6AM. International air travel is still permitted, subject to testing requirements, while international land travel and inter-provincial/inter-city travel are largely prohibited.
As of December 1, the government of Zimbabwe requires all new arrivals to the country to present a negative COVID-19 test result issued within the previous 48 hours. The government provides no option for testing upon arrival for such travelers.
In the Eastern Mediterranean Region, COVID-19 has found its adventure playground. Tunisia and Egypt are two countries with most cases and deaths recorded, with 139 140 and 138 062 cases. From both countries combined, there are over 10 thousand deaths related to COVID-19.
My Star Botswana has consistently been keeping people glued to their screens every Sunday evening to watch their favourites battle it out for the cash price. This has been the case since the show started back in 2007.
The winners of the controversial competition are usually taken to the United Kingdom for sightseeing and benchmarking.
The whole purpose of My Star was to unearth raw talents and flair from the grass-roots. The show Producer and Director, Keabetswe ‘Master Dee’ Sesinyi, together with his team would scout talent from across the country, including rural areas.
Well, things took turns and twists this time around, as the show failed to attract the much desired attention. Many loyal viewers were not aware that the show had started and to my surprise, the grand finale was way too shallow for a show of its magnitude. Even the show producer didn’t like the turn out. My Star 2020 totally lost touch.
Master Dee made no bones about lack of sponsorship harming the plan to throw an over-the-top grand finale. He says despite him being on his feet every time trying to source sponsors, he ran around in circles and was left out in the cold many a-times. One may wonder how tables turned so drastically.
This is extremely unscrupulous for a protuberant talent show. My Star was considered an A-list show, but more than ten years now and the show is still held at Gaborone Technical College hall, it’s scandalous that the venue cannot be upgraded to match the talent and prestige they are looking for.
“I thank you so supporting the arts. I know everyone came here with a goal to see his or her contestant win. Today we doing things in a different way. It won’t be the usual My Star show that we know because of the COVID-19. The arts have been the hardest hit by this pandemic. The fact remains arts are the foundation of all jobs,” said Master Dee.
He hit the nail on the head. This sector has seen dust this pandemic year. It was the first to be shut, and to date, it has been opened in a phased manner. Well, for social events that mount up larger crowds, the story has not changed. This is because the virus spreads easily when many people get together without health protocols being adhered to.
Master Dee, however, expressed discontentment at how My Star ran without a single sponsor. “I personally know what it is to be artistic, and I understand the passion that each contestant has. But do people understand this passion like we do? It is very sad that we are here to see the reality TV show that comes on the national TV channel every Sunday without the main sponsor. Very sad!”
He gave the small team he was working with a pat on the back for helping him see the light at the end of the tunnel.
“These guys make me see the need to try further. When push comes to shove, they assure me that someone will realize the potential of this project. Through this COVID-19, we have sent more than 28 Batswana youth to Universities. And who doesn’t see that>? What is it going to take for people to understand that this project is not about me, and that it is for Batswana?”
“Sometimes when I speak like this I feel like I could shed a tear. But it is painful sometimes when people don’t see what you see. When I go around looking for sponsors, they say I want to enrich myself. I mean who doesn’t want to be rich? It’s just a fuss,” he said.
Nonetheless, Master Dee showed gratitude to the Youth Ministry for making it possible for young people to be admitted at the Universities. I believe education is key, so I had to fight to see them being admitted in educational institutions, he told few guests at the grand finale.
“I will be naïve if I cannot actually echo the sentiments of government assisting in this manner going forward. But enough can be done. We need corporate companies’ to stand up and not just take from us.”
Meanwhile, Neelo Gopolang was crowned the winner of My Star Season 14. She walked away with P100 000 after garnering herself over 70 000 votes from the general public. First runner up, and people’s favourite Queen Garekwe managed to secure only 2000 plus votes, earning P10 000 from the competition. Justice Nyathi was announced as the second runner up, going home with P10 000 as well.