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Intellectual Property Matters

Tlotlo R. Kgakatsi
COSBOTS's REALITY


Think about it, global music royalty collections reached 850 billion Pula in 2013, and are being seen to be constantly growing. This may not compare with the diamond industry but, maybe wildlife and tourism. The Global Collections Report by The International Confederation of Societies of Authors and Composers (CISAC) shows total royalty collections is constantly growing by 4.6% with the 2013 latest report.

Much is still to be achieved with regard to developments in copyright and intellectual property especially in developing nations, shadowing down on Africa, where many of the nation’s rather seek to concentrate on serious, immediate issues of poverty, hunger and diseases. Botswana is however fortunate to have rigorously jumped to economic diversification drives, seeing and bringing to the fold the enormous economic capabilities of the creative industry.


Intellectual property management, inclusive of copyright, is complex for many reasons. The introduction of a society such as COSBOTS, has significantly brought about changes in processes, and questioned the basic thinking, which had been accepted as a comfort zone.

Copyright matters need some degree of competence, given its specialized framework; it therefore requires knowledgeable people that can advise and guide the legal, practical, political and managerial aspects of copyright and related rights. To some extent, the whole field of intellectual property management. The main burden remains the fact that all this requires a paradigm shift for society as a whole, never an easy feat.


The Copyright Society of Botswana is undoubtedly here to stay and it continues to play an important role in today’s political and economic environment, mostly to begin with through creating awareness and educating Batswana about this phenomenon.

It is worth noting that there is undoubtedly some turbulence around copyright issues and its role in society today, given the rapidly changing technological and economic status of the creative industry. Beyond these developments, sustainability of the creative industry is key to the activities of COSBOTS. Without economic empowerment to the creative industry, there simply can never be continuity in the music, arts and films we enjoy daily.


COSBOTS makes it fair, that persons who devote their skill and efforts to the production of intellectual creations are able to exercise some control of their use, which goes a long way as these rights are stimulus to society's growth and the industry's progress. If copyright protection exists in a work, the author is encouraged not only to create the work but also to make it public and disseminate it widely, because he knows that he will not lose control over it simply because it is made known to others.

Such a wide dissemination of works is generally of great benefit for the society as a whole. The pricevfdfvb cvnhg for use of the work/s, reflects in the costs resulting from the exclusive rights, that have to be paid by the users as royalties. Collective management has proved to work with relative flexibility as the costs maybe high or low, but have to be paid, this has served, and will continue to serve all round creativity and inventiveness within society.

The year of the Lord was in 2011, when artists or owners of copyright works across the country started registering as members of COSBOTS, consequently assigning or transferring their rights to COSBOTS through written contract.

This agreement allows the society to set rates for royalties on behalf of members and further monitor usage of members protected works for national broadcast. This, on the surface of it appears to be fairly simple, but remember empowerment comes at a cost. Authors or Lyrists are the power brand of the melodies of movies and radio jingles that keeps the industry buzzing. Composers turn words into musical notes and give movies life of originality.

The players in this process will be paid royalties for public performance rights. Depending on the application, in certain instances, the authors and composers are paid royalties for "mechanical rights", derived from conversion of the original format to one that is compatible with the system to publicize the music. This is the future of the music business that COSBOTS strives to develop and empower.

Mr. Tlotlo R. Kgakatsi  is Corporate Communications Manager at Copyright Society of Botswana (COSBOTS)  E-mail: tlotlok@cosbots.com

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WeekendLife

Lifestyle enthusiasts feel Big Brother vibes

27th January 2023

This past weekend MultiChoice Botswana hosted media and lifestyle enthusiasts in Oodi for an evening of fun, drama and everything in between. The treat dubbed Big Brother Titans Botswana media challenge basically recreated the Big Brother experience right here in Botswana.

Big Brother Titans is the joint South African and Nigerian edition of the Big Brother franchise. The series follows contestants as they live in an isolated house and compete for a cash prize at the end of the show by avoiding being evicted from the house by the viewers.

These viewers vote their favorite housemates to stay on the show. The show features housemates from South Africa and Nigeria. The first season of the show premiered on January 15 2023 on DStv.

DStv Botswana Corporate Affairs Manager, Thembile Legwaila told WeekendLife that they saw it critical to host media friends to experience how it feels by being in the Big Brother house.

“For the very first time in history of Big Brother, we’ve seen the merging of two superpowers, Mzansi and Naija, with the Big Brother Titans season and what a better way to celebrate the monumental season than hosting our media friends.”

THE LOVE

Participants were treated to top notch reception complimented by the Oodi sunset which just blew them away. A special shuttle was organized from Gaborone to Oodi, at a farm house that is just incredible in terms of design, aesthetics and ambience.

Of course they were welcomed by soft cocktails and non-alcoholic beverages for those who are not drinkers, and the next booth was an opportunity for housemates to introduce themselves to the man of the house, Biggie. RB2’s new baby Mdu the Party played the role of Biggie, and he nailed the character.

Some of the contestants were asked what they will do with the grand prize of P5000. With my ongoing voluntary movement, #Pad4HER, I needed the cash prize to push the campaign.  #Pad4HER is a campaign that I started last year with an aim of helping female students from disadvantaged backgrounds to have access to sanitary towels. Anyway, luck was not on my side but my colleague from The Botswana Gazette, Gosego Motsumi emerged as the winner.

We got done with the questions and made way into the house. The party began with more drinks and the first challenge kicked off. For this particular challenge, we were divided into pairs. I was matched with Motsumi and we won the first challenge.

WINNING STRATEGY

Other housemates asked how we managed but it was simple: we had a strategy before embarking on the challenge. We sat down and debated on what we need to do in order to emerge victorious.

DStv engaged a phenomenal local chef, Rachel Tlagae who served some enchanting, light meal. Its Big Brother Titans so we ought to mind what we eat and also take note of quantities. Chefs also brought some wine to go with the meal and everyone was contented.

THE WINNING CHALLENGE

Housemates were taken through the last challenge: mental ability. This particular challenge needed them to know who they are as well as knowing their fellow housemates. It was one of the simplest challenges yet difficult. This is where I lost lot of points even though I was at the top (after winning the first challenge).

These housemates were all unique in their own way. From the media side was myself, Sharon Mathala, Leungo Mokgwathi, Gosego Motsumi and Nancy Ramokhua. This is a team which did exceptionally well altogether. Motsumi emerged as the winner, followed by Mathala and me on fourth position.

The third position was won by Loungo Pitse from influencer’s side, and he tagged alongside DJ Gouveia, Dato Seiko, Kedi Molosiwa and Gape Makwati.

Legwaila said “We wanted to have a healthy mix of traditional media (print and radio) as well as social media personalities, artists and content creators in the house. We chose individuals who were characteristically different from each other because variety and diversity is important to us. We of course chose those with outgoing personalities as well as those who are a little more introverted as we wanted the interaction to be authentic and organic. We wanted a solid group of individuals who represented the many different people that make up this beautiful country.”

DSTV IS COOKING SOMETHING

When quizzed if there are plans to have a similar Big Brother Titans Botswana, Legwaila said “MultiChoice Africa is focused on entertaining audiences all over Africa with the current Big Brother franchises; BB Titans, Mzansi and Naija. Though we have no immediate plans to have a Big Brother Botswana in the future, we are continuously looking at ways to entertain our Botswana audience with local content and we are excited for what’s to come in the next few weeks from our country.”

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WeekendLife

DENIM RICHARDS American actor takes local productions to the world

23rd January 2023

American renowned actor, Denim Richards has been in Botswana for quite a while now with one clear mission: the revamp the film and entertainment industry.

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WeekendLife

Botswana misses out on Miss Universe again

9th January 2023

The 71st Miss Universe competition will be going down at the New Orleans Morial Convention Center in New Orleans next week in the United States. There are eighty four entrants at this year’s Miss Universe, and Botswana will once again not be a part of the pageant.

The Miss Universe will be hosted by Jeannie Mai and Miss Universe 2012 Olivia Culpo, who last served as host during Miss Universe 2020, while Mai last served as backstage correspondent during Miss Universe 2014. Miss Universe 2018 Catriona Gray and Zuri Hall will serve as backstage correspondents. This will mark the first time in a 70-year history to have an all-female presenting panel.

Botswana last participated at the Miss Universe in 2013, in which the Miss Universe Botswana pageant was won by Tsoane Macheng. Ever since then, Botswana never made its return to the biggest beauty pageant in the world, despite its consistent ability to send a representative to participate at the Miss World competition.

Miss Universe Botswana Director, Safie Sekgwa, allegedly holds the Miss Universe license. Efforts to reach him proved futile, as his mobile phone rung unanswered.

Despite Botswana showing zero efforts in participating at the Miss Universe, the beauty pageants 2019 crown was flanked by two smaller diamonds cut from the same stoned mined in Botswana.

Jewelry designer Mouawad created a new “Power of Unity” crown reportedly worth 5 Million US Dollars, and the title was won by South Africa’s Zozibini Tunzi. She was the third South African to be crowned Miss Universe.

BOTSWANA’S POOR RECORD AT MISS UNIVERSE

Botswana is said to be one African country with the most beautiful women, but, the poor performance at the Miss Universe, communicates otherwise. Perhaps, representatives at the pageant are not academically gifted, as the Miss Universe tests how keen they are also.

Mpule Kwelagobe made history when she was crowned Miss Universe 1999. That was few months after she was crowed the first ever Miss Universe Botswana. Kwelagobe became the third woman from Africa who was crowned Miss Universe.

In 2000, Miss Universe Botswana then, Joyce Molemoeng did not place at Miss Universe, and the same blue reality struck again in 2001, when Mataila Sikwane also failed drastically.

After a two year hiatus, Miss Universe 2004, Icho Keolotswe also failed to place at Miss Universe. That was the end of participation at Miss Universe, only to return in 2010. Tirelo Ramasedi, Miss Universe 2010 also did not win. The same losing trend followed from 2011 (Larona Kgabo), 2012 (Sheillah Molelekwa) and 2013 (Tsaone Macheng).

MISS UNIVERSE 2022 UNDERWAY

Preparations are ongoing to hold the 71st Miss Universe competition. Harnaaz Sandhu of India will crown her successor at the end of the event. There are nine countries which have withdrawn from participating: Denmark, Hungary, Ireland, Israel, Kazakhstan, Kenya, Morocco, Romania and Sweden.

As for returns, Miss Universe 2022 will see Angola, Belize, Indonesia, Kyrgyzstan, Lebanon, Malaysia, Myanmar, Saint Lucia, Seychelles, Switzerland, Trinidad and Tobago as well as Uruguay.

Lebanon won Miss Universe in 1971, Angola in 2011, Trinidad and Tobago in 1977 and1998. Youngest Miss Universe 2022 participants are aged 18, and they are from British Virgin Islands, Iceland and Krgyzstan and Switzerland’s representative is nineteen.

MISS UNIVERSE ALMOST 6 MILLION US DOLLAR CROWN

Miss Universe has unveiled its new crown for the 71st competition. The new crown, “The Crown Number 12: Force for Good” was crafted by world renowned luxury jeweler Mouawad.

The new crown, with pear-shaped blue sapphires surrounded by diamonds and valued at approximately 5.58 Million US Dollars, will be the prestigious mark of honor for the winner this coming week.

According to the Miss Universe organization, the Force for Good crown emanates Mouawad’s passion for crafting the extraordinary, featuring the meticulous setting of sapphires and diamonds, whose design is replete with symbolism.

Reflecting the point that significant change does not happen in an instant, the base of the crown is set with diamonds symbolizing the status quo. From the base upwards, rippling wave motifs reflect the momentum of change, with their varying sizes portraying that this momentum gains ground gradually through advocacy at different moments and places, to audiences large and small, over time.

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