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Get Up, Stand Up. For Music


My thoughts lately on collective management organisations as the future of making a living from the creative arts, with reference to struggling developing nations, have been tested by many who see only misrepresentation and premature developments by organisations like COSBOTS, that advocate for economic empowerment of the creative industry as a viable tool for making a living from the arts as a business.


Questions like: How much does each artist make from COSBOTS? (Personal emoluments!) Which artist has been paid the highest royalty? What do artist do with the money they get from COSBOTS? (COSBOTS cannot prescribe what you do with personal income.) COSBOTS is killing the music industry? (Usually from irate promoters unhappy about paying royalties).


Why the ignorance and resistance? For a world phenomenon, not only for music but the economic empowerment of the creative industry. As for the royalties which are income for artists who receive compensation for their works, the collective management of their works is simply to assist in the collection and distribution of what could be termed profit/s for the artists in their business and that has to remain the private concerns of right-holders.


Well, last week my colleague and I took a journey to the Goo Tawana capital in Maun, where we met one of the popular and well-known folk music legend, Stiga Sola who made a name for himself with his 3 string guitar a decade ago. His music depicts ordinary life amongst his community. In his first album to fame he dominated the radio waves with songs like ‘Galalela” and went on to win a music award in South Africa making him one of the few to get recognition beyond our borders at the time.


Stiga was one of the artists in Maun and surrounding areas including Chris Manto 7, Disaitsaneng Cultural Group, Skrippa Tee, Robinyo Mandwel, Townboi, Raba wa Nkuku and Black British who supported commemorations of the World Intellectual Property Day, focusing on music with the theme ‘Get Up, Stand Up. For Music’. The purpose was celebrating the evolution of music in the ever changing digital economy and how artists have for years worked to create new content for different markets.


After the interactions and shared views on the developments of artists welfare with Maun based artists, I have come to the conclusion that only artists will be the change and progress that is needed in developments to our creative industry with copyright and intellectual property issues. It was evident that the wrong messenger was sent to sensitize and deliver awareness on intellectual property.

Only the artists will dictate the future of the industry from the repertoire of original works  to technological developments whether access to music by downloading or streaming, purchase or subscriptions, direct sales from creators  to consumers- it’s all for artist to take the lead.


Legendary Folk singer Stiga Sola made it very clear that he lives for music, so that his children could have a future from his craft even when he is no more.  From a spectator point of view, one might have assumed Stiga was contracted to advocate for copyright issues during World Intellectual Property Day, only to find he was a man looking at the value of his 7 albums which will for the next decades be celebrated and enjoyed by many. If these are not guarded from misuse and infringements he will forever be known as an artist from Maun who came and left.


Another known musician and Patron for Botswana Musician Association, BOMU, Hon. Keletso Rakhudu, made a clear challenge to artists to take the lead in the welfare of their works in his speech at the World IP Day, furthermore challenging artists  to take a closer look on this year’s World IP Day theme – ‘Get up, Stand up. For Music’. 

He noted that the theme resonates with our national anthem. The anthem challenges men to awake from slumber (the theme says Get up) and our women are called on to stand up (Stand up) and we join efforts to serve our country (the theme calls us to do that For Music – which, is part of our culture.

What a visionary, what a composer, what a lyricist, Kgalemang Tumediso Motsete. Five decades later, his message remains solid and insightful to various aspects of our lives as a nation. He was a powerful musician, no wonder we have today a music choir called after his name and popularised as KTM Choir. What more do we need to be taught about the importance of standing up for music?


This calls for artists to stand for their rights and protect their works by not only disseminating their creative works but taking an active role on copyright issues to ensure that future economic benefits can be achieved from their craft.


The future of the creative industry cannot only be left to organisations like COSBOTS, we still have a long way to go as artists to be on the forefront and stand up for our rights now and in the future.
For more information contact:
 
Tlotlo R. Kgakatsi  
Corporate Communications Manager
Copyright Society of Botswana (COSBOTS)
E-mail: tlotlok@cosbots.com

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WeekendLife

Lifestyle enthusiasts feel Big Brother vibes

27th January 2023

This past weekend MultiChoice Botswana hosted media and lifestyle enthusiasts in Oodi for an evening of fun, drama and everything in between. The treat dubbed Big Brother Titans Botswana media challenge basically recreated the Big Brother experience right here in Botswana.

Big Brother Titans is the joint South African and Nigerian edition of the Big Brother franchise. The series follows contestants as they live in an isolated house and compete for a cash prize at the end of the show by avoiding being evicted from the house by the viewers.

These viewers vote their favorite housemates to stay on the show. The show features housemates from South Africa and Nigeria. The first season of the show premiered on January 15 2023 on DStv.

DStv Botswana Corporate Affairs Manager, Thembile Legwaila told WeekendLife that they saw it critical to host media friends to experience how it feels by being in the Big Brother house.

“For the very first time in history of Big Brother, we’ve seen the merging of two superpowers, Mzansi and Naija, with the Big Brother Titans season and what a better way to celebrate the monumental season than hosting our media friends.”

THE LOVE

Participants were treated to top notch reception complimented by the Oodi sunset which just blew them away. A special shuttle was organized from Gaborone to Oodi, at a farm house that is just incredible in terms of design, aesthetics and ambience.

Of course they were welcomed by soft cocktails and non-alcoholic beverages for those who are not drinkers, and the next booth was an opportunity for housemates to introduce themselves to the man of the house, Biggie. RB2’s new baby Mdu the Party played the role of Biggie, and he nailed the character.

Some of the contestants were asked what they will do with the grand prize of P5000. With my ongoing voluntary movement, #Pad4HER, I needed the cash prize to push the campaign.  #Pad4HER is a campaign that I started last year with an aim of helping female students from disadvantaged backgrounds to have access to sanitary towels. Anyway, luck was not on my side but my colleague from The Botswana Gazette, Gosego Motsumi emerged as the winner.

We got done with the questions and made way into the house. The party began with more drinks and the first challenge kicked off. For this particular challenge, we were divided into pairs. I was matched with Motsumi and we won the first challenge.

WINNING STRATEGY

Other housemates asked how we managed but it was simple: we had a strategy before embarking on the challenge. We sat down and debated on what we need to do in order to emerge victorious.

DStv engaged a phenomenal local chef, Rachel Tlagae who served some enchanting, light meal. Its Big Brother Titans so we ought to mind what we eat and also take note of quantities. Chefs also brought some wine to go with the meal and everyone was contented.

THE WINNING CHALLENGE

Housemates were taken through the last challenge: mental ability. This particular challenge needed them to know who they are as well as knowing their fellow housemates. It was one of the simplest challenges yet difficult. This is where I lost lot of points even though I was at the top (after winning the first challenge).

These housemates were all unique in their own way. From the media side was myself, Sharon Mathala, Leungo Mokgwathi, Gosego Motsumi and Nancy Ramokhua. This is a team which did exceptionally well altogether. Motsumi emerged as the winner, followed by Mathala and me on fourth position.

The third position was won by Loungo Pitse from influencer’s side, and he tagged alongside DJ Gouveia, Dato Seiko, Kedi Molosiwa and Gape Makwati.

Legwaila said “We wanted to have a healthy mix of traditional media (print and radio) as well as social media personalities, artists and content creators in the house. We chose individuals who were characteristically different from each other because variety and diversity is important to us. We of course chose those with outgoing personalities as well as those who are a little more introverted as we wanted the interaction to be authentic and organic. We wanted a solid group of individuals who represented the many different people that make up this beautiful country.”

DSTV IS COOKING SOMETHING

When quizzed if there are plans to have a similar Big Brother Titans Botswana, Legwaila said “MultiChoice Africa is focused on entertaining audiences all over Africa with the current Big Brother franchises; BB Titans, Mzansi and Naija. Though we have no immediate plans to have a Big Brother Botswana in the future, we are continuously looking at ways to entertain our Botswana audience with local content and we are excited for what’s to come in the next few weeks from our country.”

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WeekendLife

DENIM RICHARDS American actor takes local productions to the world

23rd January 2023

American renowned actor, Denim Richards has been in Botswana for quite a while now with one clear mission: the revamp the film and entertainment industry.

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WeekendLife

Botswana misses out on Miss Universe again

9th January 2023

The 71st Miss Universe competition will be going down at the New Orleans Morial Convention Center in New Orleans next week in the United States. There are eighty four entrants at this year’s Miss Universe, and Botswana will once again not be a part of the pageant.

The Miss Universe will be hosted by Jeannie Mai and Miss Universe 2012 Olivia Culpo, who last served as host during Miss Universe 2020, while Mai last served as backstage correspondent during Miss Universe 2014. Miss Universe 2018 Catriona Gray and Zuri Hall will serve as backstage correspondents. This will mark the first time in a 70-year history to have an all-female presenting panel.

Botswana last participated at the Miss Universe in 2013, in which the Miss Universe Botswana pageant was won by Tsoane Macheng. Ever since then, Botswana never made its return to the biggest beauty pageant in the world, despite its consistent ability to send a representative to participate at the Miss World competition.

Miss Universe Botswana Director, Safie Sekgwa, allegedly holds the Miss Universe license. Efforts to reach him proved futile, as his mobile phone rung unanswered.

Despite Botswana showing zero efforts in participating at the Miss Universe, the beauty pageants 2019 crown was flanked by two smaller diamonds cut from the same stoned mined in Botswana.

Jewelry designer Mouawad created a new “Power of Unity” crown reportedly worth 5 Million US Dollars, and the title was won by South Africa’s Zozibini Tunzi. She was the third South African to be crowned Miss Universe.

BOTSWANA’S POOR RECORD AT MISS UNIVERSE

Botswana is said to be one African country with the most beautiful women, but, the poor performance at the Miss Universe, communicates otherwise. Perhaps, representatives at the pageant are not academically gifted, as the Miss Universe tests how keen they are also.

Mpule Kwelagobe made history when she was crowned Miss Universe 1999. That was few months after she was crowed the first ever Miss Universe Botswana. Kwelagobe became the third woman from Africa who was crowned Miss Universe.

In 2000, Miss Universe Botswana then, Joyce Molemoeng did not place at Miss Universe, and the same blue reality struck again in 2001, when Mataila Sikwane also failed drastically.

After a two year hiatus, Miss Universe 2004, Icho Keolotswe also failed to place at Miss Universe. That was the end of participation at Miss Universe, only to return in 2010. Tirelo Ramasedi, Miss Universe 2010 also did not win. The same losing trend followed from 2011 (Larona Kgabo), 2012 (Sheillah Molelekwa) and 2013 (Tsaone Macheng).

MISS UNIVERSE 2022 UNDERWAY

Preparations are ongoing to hold the 71st Miss Universe competition. Harnaaz Sandhu of India will crown her successor at the end of the event. There are nine countries which have withdrawn from participating: Denmark, Hungary, Ireland, Israel, Kazakhstan, Kenya, Morocco, Romania and Sweden.

As for returns, Miss Universe 2022 will see Angola, Belize, Indonesia, Kyrgyzstan, Lebanon, Malaysia, Myanmar, Saint Lucia, Seychelles, Switzerland, Trinidad and Tobago as well as Uruguay.

Lebanon won Miss Universe in 1971, Angola in 2011, Trinidad and Tobago in 1977 and1998. Youngest Miss Universe 2022 participants are aged 18, and they are from British Virgin Islands, Iceland and Krgyzstan and Switzerland’s representative is nineteen.

MISS UNIVERSE ALMOST 6 MILLION US DOLLAR CROWN

Miss Universe has unveiled its new crown for the 71st competition. The new crown, “The Crown Number 12: Force for Good” was crafted by world renowned luxury jeweler Mouawad.

The new crown, with pear-shaped blue sapphires surrounded by diamonds and valued at approximately 5.58 Million US Dollars, will be the prestigious mark of honor for the winner this coming week.

According to the Miss Universe organization, the Force for Good crown emanates Mouawad’s passion for crafting the extraordinary, featuring the meticulous setting of sapphires and diamonds, whose design is replete with symbolism.

Reflecting the point that significant change does not happen in an instant, the base of the crown is set with diamonds symbolizing the status quo. From the base upwards, rippling wave motifs reflect the momentum of change, with their varying sizes portraying that this momentum gains ground gradually through advocacy at different moments and places, to audiences large and small, over time.

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