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Refinements come to 2016 Range Rover line-up

The most powerful and luxurious Range Rover model yet, the Range Rover SVAutobiography, is now available for order at Land Rover dealerships in sub-Saharan Africa. First announced at the 2015 New York International Auto Show, the flagship replaces the Range Rover Autobiography Black, and adds even more luxury, design sophistication and performance to the world’s finest luxury SUV.


Additionally, other models in the Range Rover line-up also benefit from the addition of new technologies and features, as well as improvements to existing features. These include ergonomic enhancements both inside and outside the vehicle, and automated features that have been requested by customers.


“Range Rover customers are the most discerning of all. By using their feedback to improve our products we’re living up to our Customer First philosophy to make the best even better,” said Lisa Mallett, Marketing and Communications Director of Jaguar Land Rover South Africa and sub-Sahara Africa (JLR SA and SSA). “The SVAutobiography is the ultimate expression of Range Rover’s luxury and precision craftsmanship, delivering beautiful detailing that considerably enhances the customer’s experience.”


Exclusively crafted at Special Vehicle Operations’ (SVO) Technical Centre in the UK, SVAutobiography features unique exterior design enhancements, an exclusive premium leather interior with unique trim finishes and the option of a 405kW 5.0-litre V8 supercharged engine. As a result, the SVAutobiography is the most luxurious and powerful series-production Range Rover in the model’s successful 45-year history.


“Range Rover originally defined the luxury SUV segment and the new SVAutobiography, developed by Special Vehicle Operations, takes Range Rover to another level of comfort, craftsmanship and refinement,” said John Edwards, Managing Director of Jaguar Land Rover Special Vehicle Operations.


Exclusive design enhancements
Available in standard and long wheelbase derivatives, the 2016 Model Year SVAutobiography takes the flagship Range Rover to even greater heights of design sophistication and levels of luxury execution. New features and exquisite detailing further consolidate its position as the world’s most luxurious and capable vehicle.


For the first time on Range Rover, customers of the 2016 Model Year SVAutobiography are able to specify a unique duo-tone body colour option. The combination of Santorini Black upper body and nine colour choices for the lower body create true distinction and individualism.


The 2016 Model Year vehicle is distinguished by new Range Rover bonnet lettering and the tailgate is adorned with the new SVAutobiography badging. The unique front grille is finished in distinctive Graphite Atlas and polished chrome, further promoting its visual differentiation.


On the most powerful 405kW supercharged V8 version, quad tailpipes subtly hint at the huge reserves of power available.


World-class luxury interior
Much of the driver’s switchgear, including the start-stop surround and rotary controls, are machined from solid aluminium with beautiful knurled details, as are the foot pedals. This detailing continues to both the front and rear centre consoles, with distinctive materials for the cup holder and socket covers. New armrest adjusters not only bring a similar level of machined detail, but also make them even easier to use.


Rear-seat passengers relax in luxurious seating, with access to a chiller compartment and powered deployable tables. Solid aluminium coat hooks are incorporated into the rear pillars while, on the floor, aluminium seat rail finishers and deep twist pile mohair carpet mats complete the feeling of sumptuous luxury.


A leather-covered handbook and polished Autobiography key fob with knurled finish add finishing touches.


New to Range Rover for 2016 Model Year, the SVAutobiography offers the option of a sliding loadspace floor. Made from beautifully crafted aluminium and a choice of veneer options, the floor extends rearwards to optimise practicality and ease of use for loading and unloading.


For those customers who enjoy the versatility of Range Rover’s split tailgate, SVO has developed ‘Event Seating.’ Stowed in the luggage compartment, these can be quickly and easily deployed to provide comfortable seating for two adults on the lower tailgate section. Hand crafted from beautiful Windsor leather with a highly durable aluminium frame, this option will appeal to those who appreciate the duality of Range Rover’s ‘business and pleasure’ characteristics.     

     
Incredible performance, unrivalled comfort
Replacing the Autobiography Black at the top of the Range Rover line-up, SVAutobiography is available with a sensational 405kW V8 supercharged engine, combining peerless luxury with the most powerful engine in Range Rover’s history.

The all-aluminium 5.0-litre V8 supercharged engine, used to power the high performance Range Rover Sport SVR, has been re-tuned for the SVAutobiography. The potent engine produces an outstanding 405kW and 680Nm of torque, noticeable increases of 30kW and 55Nm respectively, compared with existing V8 supercharged Range Rover derivatives.


With maximum torque available at 2,500rpm and a smooth and sophisticated ZF eight-speed automatic transmission, the SVAutobiography provides a breath-taking blend of performance, in-gear flexibility and refinement, no matter how challenging the terrain.


The 405kW derivative has been engineered and optimised for unparalleled comfort and refinement, and features Brembo front brake callipers in gloss black finish.


SVAutobiography customers in sub-Sahara Africa markets can also choose from two additional Range Rover powertrain: the 4.4-litre turbo diesel SDV8, with 250kW and 740Nm, and a new SCV6 supercharged derivative, with 280kW and 450Nm.

The new SCV6 engine is also available in other Range Rover trim levels.
Desirable enhancements across the 2016 Model Year Range Rover line-up

Complementing the introduction of SVAutobiography, a comprehensive suite of revisions underlines Range Rover’s status as the ultimate luxury SUV.


Unrivalled off-road capability is a hallmark of the Range Rover line-up but Land Rover has provided even greater confidence for customers by extending the availability of its innovative All-Terrain Progress Control system on models that are equipped with the SDV8 engine.


Underlining its status as the most luxurious SUV in the world, the 2016 Model Year Range Rover benefits from a host of additional and improved convenience features. These include a new, improved Surround Camera System that utilises a high-resolution camera for crisper graphics and enhanced clarity.

This also introduces Rear Junction View, which uses the Surround Camera System to significantly improve rearward visibility when reversing out of parking spots. An integrated washer jet for the rear camera ensures clarity at all times and in all conditions.


The new Gesture Tailgate provides hands-free access to the luggage area. Sensors in the rear bumper use foot gestures to open the rear tailgate. Placement of the sensors allows this to be achieved from either side of the vehicle when approaching from the kerbside.


Further automation includes Automatic Access Height. While previously controlled manually, the new system automatically lowers the vehicle once parked. Depending on conditions the system will lower the vehicle by as much as 50mm, for improved entry, exit, and even loading items in the rear.


The Range Rover SVAutobiography, along with the updated Range Rover 2016 Model Year line-up, is available to order through Land Rover dealerships starting 1 July 2015.

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WeekendLife

Feminism and Nudity still at odds

19th April 2021
Feminism and Nudity

This past week seemed like a time travel back to the early 1970’s where women were judged and stoned for what they wear, what they should wear, and whose attention their dress code will grab.

Every Tom, Dick and Harry gave their two cents on the matter, unnecessarily so. Its disheartening that in 2021 a woman is dictated to about what she should wear.

The genesis of the whole saga was because of a certified life coach and personal trainer, Agang Atlholang, derided as an example of an anti-feminist.

Atlholang updated a controversial post on her Facebook page where she seemingly attacked and dragged some women for wearing appealing clothes that leave little to the imagination.

The personal coach further went on to highlight that she could be fully clothed and be able to attract and steal some of these women’s lovers. Audacious of her to assume but more disheartening that her wardrobe is subliminally dictated by men.

It should be noted that this wasn’t her first controversial post where she has threatened or promised to take other women’s men, it may not be her last either but this post however did get on a lot of women’s last nerve.

“A woman’s sexuality is so much more than her thighs, (beep) and breasts. It’s your aura, confidence, seduction and the way you carry yourself, watching everything rock and roll in silence. I know who I am, I am a boss lady. I can still get your man without showing skin,” said Atlholang.

It is hard to place the fitness coach, is she pro-feminism or anti-feminism? Because one minute she would say something that makes sense and that almost everyone can relate to and other times she barks threats like a toothless bulldog.

She was not wrong to publicly and indirectly affirm that she doesn’t wear revealing outfits, but for her to be coming at those who do so was entirely out of line. How a woman presents herself to the world has a very little to do with a man’s preference.

Any personal liberation of what one chooses to clothe their own body is clouded by the misogynistic backdrop of the world we live in. In all cases, a woman’s body is assumed to be someone else’s before is it her own.

If she takes off her clothes, it is seen to be a sign of her insecurity and need for validation, rather than feeling comfortable with herself. Once she’s stripped, that’s all she is. This is the insidious pressures of misogyny that we all have a duty to attack and put in the past where it belongs.

WeekendLife reached out to Atlholang but her phone went unanswered. She did not respond to a questionnaire sent to her on Wednesday.
Celebrated feminist Resego Kgosidintsi says there should be no expectations on what a woman does with her body. Some women are thick and curvy, while some are slim and petite, all body types are beautiful.

Kgosidintsi uploaded two pictures on her Facebook page in which she compared herself. In one picture she was only in a bikini on the beach whereas in the other picture she was wearing formal attire. She went on to say;

“I am the woman in both pictures, my worth did not decrease on picture 2 because I revealed almost all of my skin and neither is my worth on a 100 on picture 1 because my skirt is below the knee.

I have about 7 tattoos on my entire body and that still does not make me less of a woman. I drink and smoke cigarettes too and that doesn’t mean the woman in church who doesn’t smoke or drink more woman than me. Can we respect people’s choices, can we respect women.”
Feminist, media personality and socialite, Oratile Kefitlhile shares the same sentiments as Kgosidintsi.

‘‘Feminism is subject, if I feel as a woman that when I’m fully dressed I’m celebrating my femininity, so be it. If another woman feels they are embracing their femininity more with their thighs out, that’s perfectly fine still. Let them be.

We have been preaching this revolution for a very long time of women being allowed to wear what they want, and being allowed to embrace their womanhood in the way that speaks to them, so I feel at this point we should not be having these debates,” Kefitlhile told WeekendLife on Tuesday.

Controversial poet, artist and businesswoman, Berry Heart is of the belief that women are envious towards each other. She argues that celebrating femininity has no boundaries subsequently making no one woman superior.

Quizzed on what makes women fight over small issues such as what they wear, she says “Batswana women are broken so much that we don’t want to see another woman succeeding on anything. We desire to make them dejected.”

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WeekendLife

The art of mastering instrumentals

12th April 2021
Kagiso "Fella" Kenosi

You will know a tree by its fruits, the same way you will know a music producer by their works.

Top music producers in the country have set themselves apart through the quality music they produce and reap the results of international recognition from as far as the United States of America.

These producers are behind every star performer, listening and analyzing each and every note. When artists perform a vocal swell, rising to an octave that sounds like it’s going to shatter voice box, it’s easy to forget that someone was on the other side of the glass asking questions like, “Can you hit that note every night, or will it hurt too badly? Maybe we should lower the octave to save your voice?”

Producers make hundreds of decisions in each song, not to mention the push and pull relationships they have with talented performers.These relationships can make or break careers. Some of your favorite bands and artists wouldn’t be so memorable without a great producer helping to guide their distinct voices.

Kagiso Kenosi, or better known as Fella in the entertainment industry, is only 31-years old but he has already left his imprint in the music industry. The young chap, originally from Palapye, is not in the industry to add numbers, but to do his magic working behind the scenes producing hit song after hit song.

When most producers went to school to produce the hits that we hear today, Fella’s foundation and passion for producing came from being active in church.

“I grew up in a catholic orientated family where music is the essence of our religion. The love for music in its entirety emerged from enjoying singing at church and blossomed over the years as I grew up, being exposed to the internet and software’s such as fruity loops.”

Fella says he then learnt how to make beats and proceeded with vocal processing so besides the love for music, he had an amazing group of people who helped him reach his life dream; being the best in music production. The sky was the limit for Fella.

Unfortunately for so many music producers locally, this kind of hustle is basically about being famous. Some of them bite off more than they can chew just for a quick buck that doesn’t even go a long away for them. At the end of it all, these fly by night prima-donnas end up cutting corners and producing subpar records which eventually leads to a premature death for their careers.

Fella’s advice is that fellow colleagues should be patient and continue learning the craft, even if it means taking online tutorials. “Even though I’m still learning too, for I believe music is a fast infinite universe where no one can never say they know it all, I think believing in what one does, the level of creativity and being able to stand alone can do magic.

We living in an era where people go through a lot, so it is imperative for a music producer to be able to relate to those kind of situations. This takes only the right instrumentals, which will compliment emotions of an artist.”

The most asked question outside the music industry is; who chooses the instruments for a song, is it the artist or the producer? Fella gave his take;

“I make instrumentals and keep them until an artist comes to work on a song. That’s when I advise on whether I think the concept they chose goes hand in hand with the instrumentals. We will then look for a more appropriate song.

In some cases, artists can come and we record vocals without an instrumental and then get to make a beat on top of the recorded vocal which in that case guides me to make a relevant instrumental,” he said in an exclusive interview with WeekendLife on Wednesday.

Digging more into finding the difference between a producer and an engineer, Fella clarified that there is not much difference. There is actually a thin line between the two even though an engineer does more than a producer when dishing out a song.

“We use the word production to credit people who only make beats. Engineers are people who record vocals, clean them, do the mixing and master the song preparing the record for radio. I must say an engineer, does the critical components of a song.”

As young as he is, Fella has been through thick and thin with young artists. It has been a roller-coaster of emotions, because, frankly some of these fledging artists are way too complicated to work with. Fella admits that he too has flaws but c’est la vie, you can’t make an omelette without breaking some eggs.

“It’s always a blessing and quite exciting because these different people of different energies and mind-sets and creativity will humble you. It’s a chastening experience and also accords me with experience to manoeuvre and adjust to people with different characters.

So truly, it has helped me grow as a person, and a producer.”

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WeekendLife

BOMU spruce up dirty laundry

30th March 2021
BOMU awards

Botswana Musicians Union (BOMU) is known for its bad reputation that has been getting worse over the years. There has been a lot of chinwag, squabbles and the organization literally lost touch. It has gotten so bad that stakeholders pulled out, and members were left with no choice but to face the music alone.

Just when you’d think the waters are calm, the new Executive Committee awarded a fledgling company, Total Music Group, to handle the 2021 music awards. This move was seen as a biased decision that got BOMU members bent out of shape.

However, BOMU Secretary General, Rasina Rasina told Weekendlife that the Executive Committee that it has many irons in the fire. He indeed admitted without reluctance that, BOMU has been clouded by hubbub.

“We pledged when the new administration took over that it would begin with cleaning our own house. We have built structures as we had promised and we are glad that they are fully functional. One of those is the disciplinary committee.”

“BOMU has for a long time appeared to be lacking discipline and proper laid down procedures. This has led to the organization losing out big in its endeavour to serve its members and the entire music fraternity. The National Executive Committee, chapter committees and sub-committees have committed to ensuring that non proper governance and accountability shall take centre stage and this is all that is happening,” Rasina told Weekendlife on Tuesday.

Rebuilding and rebranding a disintegrated intuition such as BOMU is not just a walk in the park, it needs concerted efforts and team work to actually reach that goal. A stitch in time saves nine, but as for BOMU, the entire union failed to address its dares a long time ago, but the union says everything is on track in recuperating public trust and fixing the mess created then.

BOMU Research and Policy Committee is hard finalizing a new code of conduct which will contribute significantly to how members and leadership conduct themselves and relate with each other for the furtherance of BOMU’s mandate, Weekendlife has been reliably informed.

“We are doing everything according to our constitution, logic and reason. We advise our members that they should point out where the constitution has been breached and that they are at liberty to follow due process and report any misconduct to the disciplinary committee,” said Rasina.

This is following the suspension of some executive committee members and BOMU subscribed members for questioning the integrity in awarding the music awards tender. Some members, told Weekendlife that they will seek legal advice on the matter.

“We do have members who have already appeared before the disciplinary committee on various charges and decisions are yet to be taken. We also have members who are yet to appear before the committee for various complaints levelled against them. Current suspensions are related to various complaints and offences.”

With regard to appointing Total Music Group, BOMU National Executive Committee says it used Article 9.3.19 of its constitution. The article says; “The National Executive Committee of BOMU shall have the authority to enter into legally binding contracts on behalf of the Union.’’

Rasina says the leadership needed a company to manage, host and sell the BOMU awards for five years consecutively so as to attain stability and refurbish the brand image of both the music awards and the organization. “Without any money at our disposal, we debated on the best model and agreed that we should engage a company that also has the capacity to mobilize resources. We used our discretion and decided on a direct appointment model which is perfectly legal and constitutional.”

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