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Used oil data lacking in Botswana

Tshole Trust’s new Executive Coordinator, Stephen Mopalo has a long way to go in achieving the trust’s “no oil to the ground” mission.

According to him, chances are that most of the oil coming into the country is not being recovered for recycling.

From June 2014 to June this year , 2 773 739 54 litres of used oil was collected at various points of used oil collection, however, 14 559 784 litres of oil came into the country during the same time.

According to Mopalo, anything could have happened to the oil that has not been collected. “We don’t know, some of the oil could have been drained to the ground by mechanics, some may have been bought and imported elsewhere to countries like Zimbabwe.

The other problem is under reporting by collectors, it’s possible that the number of collected oil is higher but the collectors who sell in South Africa could have under- reported the figures,” Mopalo told the Weekend Post.

Currently, the Trust has placed 23 000l capacity collection tanks in Serowe, Maun and Ghanzi, and a 10 000-capacity tank in Kasane.

At the sidelines of the Trust’s special general meeting, Mopalo said that the organisation was working towards bringing all stakeholders together to work as a unit in recording data for used oil. So far the Trust is in talks with Statistics Botswana to establish partnerships for environmental data collection, storage and sharing systems with all stakeholders in the used oil industry.

Kwashirai Chigodora, from the Environmental Statistics Unit, concedes that there is a much ground to cover before achieving such. He says that the waste oil management firstly requires a situational analysis and that key players in the industry will be instrumental in helping developing a database for used oil collection. Chigodora said that for this to be achieved, fact finding on the oil flow in the country would have to be carried out.

According to him, key areas at which measurements can be taken would have to be identified. This would include entry points (borders), points of use, depots, collection points, and exit points and points of recycling.

Furthermore, stakeholders would have to establish indicators that would be mutually agreed, as recommended by the United Nations Framework for the Development of Environmental Statistics (FDES), System of Environmental Economics and Accounting (SEEA), and the International Recommendations for Water Statistics (IRWS).

“The time frame on when the database would be completed will depend on how long the situation analysis will take,” he said.

The database, says Chigodora, will be digital and at SB.  

Be that as it may, there is still a mountain to climb. Piracy in the oil collection industry is rife, something to which affiliates of Tshole Trust testify. “The pirates have gone as far as using our identities to collect the oil,” said one member whose name has been withheld. According to her, the company she works for has had to deal with instances when they had to collect oil from various sources but came back empty handed as someone had already done so, using their company name.

“What we usually do is report to the Department of Waste Management and Pollution Control, they are the ones who can fine them if they are located,” she said.

Mopalo said there have been numerous cases that his organisation has been made aware of regarding the pirating activity, “It is a huge problem that needs to be addressed, the oil that is being collected is in turn sold in South Africa, a lot of pirating companies have since mushroomed and it makes our work even harder.”

While he maintained that they had contacted major users of oil, like CTOs, mines and major garages to inform them to cross check with his office whenever anyone attempts to collect from them, he indicated that the greatest worry is how any of the collectors handle the oil during collection.

Furthermore, the thorn on his side is inadequate tank monitoring and maintenance. Mopalo says that though all tanks, except for one in Serowe are operational, site visits to all revealed rather an unpleasing site. He revealed that though people do dispose of their used oil at the tanks, there were oil spills around the tanks, indicating that there was need for the tanks to be manned. The Serowe tank, he shared, isn’t in use as authorities in that district have failed to connect it to electricity since it was handed to them.

This notwithstanding, he believes there is potential for scaling up recovery of used oil and ultimately prevention of environmental pollution and associated effects on human health.

“If we all cooperate in recording collected used oil we could help the trust drive towards determining the quality of the environment and level of compliance by oil marketers and users,” he said.

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Self-taught fashion designer speaks

26th July 2022

A job, lucrative or not, is a job after all. Sometimes one has to compromise in order to make a living, few people get a job their dream jobs. But once in a while there is an emergence of people who listen to their inner calling to pursue their passion.

The founder and head designer of Butterfly Couture, Chawa July is one of those few people who left their job to pursue their passion. An inspiring fact about July is that she is a self-taught fashion designer, she used to copy patterns from her old clothes until she learnt how to draw them, and she also searched information from the internet to increase her knowledge and skills.

“It all started as a hobby from my love for beautiful dresses and I started adjusting and making clothes for myself. Gradually people around me started to take interest in my craft and the hobby slowly grew into a profitable business,” July said.

The 41 year fashion designer from Molepolole worked her way up in the Procurement space for over 10 years. She worked at Stanbic Bank, Kromberg & Schubert and Clover Dairy as a Procurement supervisor. Her last job before she entered the fashion industry was a Manager for Contacts & Sourcing at a Facilities Management Company.

She established her fashion house in October 2019 and it has become synonyms with elegant wedding gowns and exquisite evening wear. July said when designing she is inspired by various aspects such as the client’s personality, the mood of the event and the theme. She further mentioned that every opportunity is to show her craft so she always aims to please.

“Every Butterfly Couture piece must represent the elegance and the creativity the brand is about,” she said. Butterfly Couture has adorned beauty queens; Miss Botswana 2021/2022 Ambrociah Samboko at Miss Universe in South Korea and Miss Botswana 2019,Oweditse Fafah Phirinyane during her reign of which is the highlight of her career. They have also marked their presence in a few fashion events locally and in the neighbouring countries.”

They showcased at The Grand Palm Wedding Expo, Masa Fashion Show, Miss Botswana Fashion Show and Sacunda plus Size Fashion Show. The will also be showcasing at Gabs July Fashion Show on the 15th of July alongside the South African designer, popularly known as the King of glamour David Tlale.

July also identified that one of the challenges they face in the couture is that, it’s a seasonal business. “There are times in the year when the business is great and challenging. Winter in particular, is difficult time to stay afloat as there aren’t as many events that people are inspired to dress spectacularly for,” she said. She further said that her aim is to be a prime couturier of choice in Botswana.

“Craft like your life depends on it because every happy client is 10 more referrals” is what she said when asked to serve a word of wisdom to people hoping to make it in the fashion industry.

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Gospel awards re-organised

26th July 2022

The Botswana Gospel Music Awards (BOGMA) and the Annual Gospel Awards (AGA) are said to be no longer in existence and a joint venture project has been put up that will carry out the awarding of gospel musicians.

The new entity has been established as Gospel Music Awards, which is a project at this moment is nearer to dishing out the first Gospel Awards under the leadership of the dissolved entities (BOGMA and AGA). “The difference is the same, it is just that the two projects were run by different minds which had differing objectives,” said the project coordinator, Letsweletse Moshabi when asked what the difference was between the two previous awards.

He added that at this junction their focus is on the future of the gospel musicians and they would like to direct their energies to the new project and forgo the past projects. “The Music market especially the gospel genre is too small and that basically means the very small market was experiencing the imbalance in the supply and demand forces. At that stage, supply was more than the demand so the reason for the joint forces is to allow the supply and demand forces to readjust and form equilibrium,” added Moshabi.

The mandate and objectives of the project are to recognize and award gospel music talent, to create awareness of the Botswana gospel music industry and to create a platform where fellow musicians may exchange ideas and network amongst themselves and approach international markets in cohesion.

The first of these joint awards will be held on the 27th August 2022 at Molapo Showcase under the theme ‘Cohesiveness to Build’ where about 18 categories will be up for grabs.

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Makhadzi, Master KG invade Thamaga

18th July 2022

The Kumnandi Ekhaya musik festival will be held on the 30th September 2022 at Thamaga village. The event coincides with the release of famous host, Dj Ngwazi’s first album called ‘spring day’ on the 2nd of September 2022.

The Thamaga born and raised Lefika Lushen Kebatlege is a disc jockey and a music producer signed under WanitwaMos Entertainment in South Africa. Famously known as Dj Ngwazi and formally known as DJ superstar, he has really worked hard to become one of the finest export DJs the country has produced. Internationally, he is described as a DJ from South African because of his works with popular music artist Master KG.

Meanwhile, the music festival will feature South African artists, Makhazi, Master KG, Prince Benza and Mthunzi. They will also be joined by some of the big local artists, Franco, Vee Mampeezy, among others.  “The tickets of the concert will be available at Spar stores, webticket and Kings bar. There will be three categories for VIP tickets, the one that goes for P1000, P1500 and P2200,” said the Kumnandi Ekhaya musik fest promoter Sadie Swartz of Saysay Entertainment.

“We have a new system to tackle the cry of promoters about security at the events. We will have a team of 100 security men, 10 horses and 15 dogs. We also agreed with the police to help with traffic control and no tickets will be sold at the gate to avoid circulation of money which can attract thieves,” said Kagiso Gaodumelwe from All Night Security.

“I started deejaying back in the days when I was still schooling at Kagiso Senior School and I never stopped working towards my career since then. I have a career in South Africa, since 2018 when Master KG took me in and his support as a brother has taken me to places,” said DJ Ngwazi describing his career journey.

“Kumnandi Ekhaya is Zulu language which means ‘go monate ko gae’ in Setswana. The name came about as a way of inviting my South African fans and supporters to my home village Thamaga to come experience the joy that comes with celebrating our freedom and independence. I used isiZulu because it’s the dominant language in South Africa,” explained Dj Ngwazi.

“The concert will be held in an open space which was used for agricultural purposes and we would like to call it ‘Ko Legoleng’. With this concert I want to redeem the dignity of our village because we once had the cases of youth who were terrorizing the community, beating up people in the streets and stealing and these was really a concern in our community because they were tarnishing the village name,” said Dj Ngwazi.

The purpose of this concert is to empower the community of Thamaga and local artist, more especially artist from Thamaga village like, Kgabo Sereto traditional group. There will be a litter picking campaign around the village before the launch of the concert .The sponsors which are already on board are Dladleng Entertainment and Kings bar and there are still more sponsors to be revealed.

”As the Kumnandi Ekhaya musik fest management, we are going to buy food combos and take them to Thamaga village Kgotla so they can be donated to the less privileged and orphans. Starting from October we will be donating pads to all Junior Schools in Thamaga,” said Dj Ngwazi. Dj Ngwazi’s motivational words to other artist and everyone else; work hard, be patient and be determined.

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