Vusi My Lattie, That Was a Lekker Show? Thank you Braveheart
WeekendLife
Thank you Windrush PR But Above All, Many Thanks to Liberty Life
Bismillahir Rahmanir Rahim! I walked into Molapo Stanbic Piazza last weekend, having been given two complementary tickets that I had also given away to two friends who desperately wanted to attend the Vusi Live show. That meant I had to part with a monetary gift I had received from a friend to purchase tickets for my entry, together with that of a friend into the show. Upon entry, it immediately became very clear that I had spent my money for a purposeful intent.
The show not only was characterised by a fantastically dressed audience, decency but the set up was also of great immaculacy. With the VIP section clearly visible as thus, right in front of the stage, and barricaded neatly.
One could tell that it was not a night of the rag tags. Rag tags usually have a tendency to after imbibing their ones and twos gain the unwanted strength to intrude the space they have not paid for. None of such incident occurred. Possibly because the security was fit for the day, but also because the environment was set up in a manner that showed and reminded everyone of their rightful space at the table.
The sound was crispy clear, and eye entertaining. You could tell that upon setting the sound, the idea was not just the volume but more importantly the quality. We still have a problem with shows that are characterised by poor sound yet this very ‘item’ of the night; sound, is very primary to the event. Rave Heart, Windrush PR and Liberty had set their sound from Friday morning yet the show was only Saturday evening. This planning in time ensures that the hosts ae able to check the sound, set and reset it, get all the needed accessories, test them, buy, rent where possible and be fully satisfied that they will not embarrass themselves on the night of the show.
Lightning was also set up from Friday morning, tested Friday night and used Saturday night. It correlated with the sound, Vusi’s wardrobe, mood of the songs and the decency of the audience. It was not disco lightning set up for a Gospel show as I have seen in other Gospel shows where one could tell that the lightning technician was not briefed that ‘’….rara….we are setting up for a Gospel show…”….! This is another area that I am hopeful that creative industry players, particularly promoters have learnt as they attended the show.
I had the advantage of having a chat with Mr. Hans Rooseboom of Eventpro Technical Service, a South African based company that was brought in to share the expertise on the part of lighting, sound and stage setting. A humble gentlemen who was above all mesmerised by the decency of Batswana. Though my conversation with him was about how he sees the Botswana Creative Industry, he was clearly over whelmed by the reception, love and embrace he got from Batswana on a two day visit he had been around.
He parted with me still expressing that it was astonishing that Batswana still greeted everyone they meet even strangers with such love and affection as if they know each other from somewhere. Knowing me, I then took him through the important elements of Botswana culture that make us a different from the rest of the clowns!…well….he understood me…I hope the reader also understands whom I was referring to…!…gape kene keipankanyetsa gore hakele kakwa, arotloetse bo morwa rragwe gore bantshware ka matsetseleko wabona…!…
On stage Vusi did not only present the new him, he had with him his new music, refreshing, soothing and Godly than ever before. Brave Heart and Windrush PR had ensured that Vusi’s wardrobe represented the show, the audience and the music. This is that part of the creative industry that managers and administrators of the creative industry often leave to the artists to sort out. And it usually ends up terribly bad as we often see gospel artists dressed for a rock concert. One could tell that for this show, Vusi ensured the right clothes, right colours and right fit. He did not look like he was putting on clothes owned as a result of a grandfather passing away as it is regularly the case with our local gospel guys. I guess this made the job of his make-up artist very easy. And for that I will say, less money for the make-up artist and more money for the wardrobe coordinator…hahahahahaha!
I must also not forget to mention that the choice of venue also ensured that not only ample parking space but surety of security was awesome. Quite often we attend shows were despite the promoters aware that they will sell more than enough tickets, continue to greedily chose venues where one has to walk a kilometre or more after parking their car to gain entrance into the show. This walking is mostly on heavy dust, upon entering the show, one’s shoes will not be visible due to dust covering them all over; a sore sight if you ask me. But alas, we have been made to be used to this that we seldom complain except from jokingly talking about it in the morning, largely on social sites.
Those who imbibe more than their memories can permit get a huge surprise in the morning when they see their shoes in dust. That’s when they begin to retrace their last night’s journey of entertainment. Yes, we do have friends who never plan to end up at any show but simply find themselves there, or worse enough, hear that they have been there. It is some form of magic never to be understood by the young ones. Surely this is not what Brave Heart, Windrush PR and Liberty Life had wanted anyone to go through when they chose the venue. A beautiful lesson that must be learnt from the Vusi Live show by our local promoters is that; those willing to spend their money prefer some form of decency. And their money must be acquired through providing them with the same decency they envisage.
And by the way, before I forget, the many Creative Industry faces that I saw and met that night said it all; that it was a show we have all been waiting for. It was of great interest to me that our local promoters amongst the audience were witnessing and experiencing that a show ought to be thoroughly planned for.
These Ladies and Gentlemen of the Industry have already been thanked in many other platforms but let me also express my gratitude to them as appropriate; Shabba Kgotlaetsho, Seabelo Modibe, Massie Hule, Moxx Gaolape, Johnson Otlaadisa, Bofelo Segotso and many others whom I have not mentioned due to my memory lapse and well, because this space could be filled up with only names, and also possibly because, lenna kene katsena modieemong! Once more, thank you Braveheart, Windrush and Liberty Life. Allahur Akbar!
The Journey Continues,
Rasina Winfred Rasina
Email: rwwrasina@gmail.com
Mobile: +267 71886794
Facebook Page: Rasina Winfred Winnie Rasina
Twitter: @Rasina_W_Rasina
WeekendLife
Dr Lame Pusetso comes to writer’s rescue
Multi award winning author of fifteen (15) books, Dr Lame Pusetso has put together a platform to empower local writers. Dr Pusetso is a President and Chairperson of the Executive Board of Kasapa Society.
She is also the Managing Director of Poeticblood Publishers and an owner of an online bookstore dubbed Mind and Soul Bookstores. Dr Pusetso has reiterated her commitment to helping upcoming authors, writers and poets in establishing their crafts and capitalizing on them.
In an exclusive interview this week, she said that she has put together a platform dubbed Botswana Literature Awards, which have fourteen categories.
When quizzed on what the awards stand for, Dr Pusetso said “writing as a form of art in Botswana is a skill that many have and have always been exploring. As a publisher, I have met different writers from all walks of life and some indicating that there isn’t enough motivation to keep going.”
In Botswana and according to the writer, there has been a limited representation of appreciation of authors. This is despite their efforts year in year out.
The whole intention of these awards really is to honor and recognize the hard work that local authors put in, when doing what they know best (writing).
“This is a way of appreciating their creativity and we will be doing this across all genres. The awards also act as a motivational tool to young writers who still have dreams of becoming best selling authors. Quite frankly, their works are of great importance and we cannot afford to let that slide like that.”
Dr Pusetso emphasized that all the winners will walk away with an award, a certificate and complimentary gifts to take home. “The two winners of Best Overall Author and Best Young Author will in addition receive book publication deals which includes book distribution and marketing for a year.
She gave a clearer picture of how authors can be a part of the literature awards.
“The awards are open to every author from the age of 7, must be a Motswana, and their book should have been published before or by 2022. For authors with more than one book, they are allowed to compete with only one book for one category, and different books for different categories.”
The young writer pinned hope on institutional collaborations, in order to stage the second edition of the awards next year, saying “We believe with these awards, the different institutions and stakeholders will show interest in helping nurture the literature scenario in Botswana.”
“It will also give authors hope and light to keep writing and penning down their stories for the benefit of all. We anticipate to host the next edition in 2024 with assistance from all interested parties.”
THE LITERATURE AWARDS CATEGORIES
Dr Pusetso stressed that there are fourteen (14) categories, and they are: Religious or Faith Based Book, Poetry Book, Children’s Book, Multi-lingual Writer, Best Collaboration, Setswana Novel, English Novel, Motivational Book, Best Young Author (7-13), Overall Best Author, Best Theory, Best Online Writer, Best Media Writer (Honor Award) and Honor Award (Long Serving Best Author).
EXPLAINING SPECIAL AWARDS
Best Media and Honor Award, Dr Pusetso said are not based on submissions but nomination by the committee. “For Honor Award, we want to appreciate the individual who has inspired the Botswana writing scenario over the years and even assisted numerous authors as both a writer and a community leader.”
The Best Media Writer award is meant to appreciate a journalist who is actively taking part in appreciating and helping authors in marketing, advertising and affording them a platform to showcase their works through their writing skills.
Meanwhile, the Botswana Literature Awards will be held on the 29th April and they are partially sponsored through the literacy grant. This is a grant under the Botswana National Library Services which falls under the Ministry of Youth, Gender, Sports and Culture.
WeekendLife
Women’s Awards hit the ground running
The second edition of the much-anticipated Women’s Awards Botswana will be going down on the 27th May 2023 in Gaborone at Travel Lodge. The organizers of the prestigious awards have announced finalists, with three nominees per category.
Women’s Awards Botswana is established to empower women and celebrate them from all walks of life and across sectors. The awards raise awareness for women to be granted equal participation, particularly in decision-making positions, as one way of breaking the gender bias.
They also seek to celebrate the outstanding achievements of women from diverse industries in Botswana. Taking a closer look at the categories, He for She award celebrates and shines a light on men who stand and support women.
These are men who advocate for inclusion of women, men who stand against GBV and men who promote any service that can better women life. Her Abilities award looks into women who have shown determination to keep moving and achieve any goal they have set for themselves, regardless of their disability.
Other awards are self-explanatory. They celebrate women in arts, culture and entertainment, agriculture, creativity, innovation and technology, tourism and hospitality, community impact as well as organization supporting women.
ORGANIZER SPEAKS ON CRITERIA USED
When speaking in an interview, Founder and Director of Women’s Awards Botswana, Bofelo Zebe, said in their first edition, they had fifteen categories, which was enough for a piloting project.
“But we left out many industries or lines of work. After the event, we received reviews and suggestions, and there was an intensive evaluation that led to us increasing the categories to eighteen for this second edition.”
He said the nominees were voted in by the public, adding that the finalists were judged by a panel with the support of votes from their supporters.
When shedding light on what winners take home, Zebe indicated that there is an award trophy, certificate and goodie bags for all categories but “we are working to have financial sponsors jump on board so that winners and nominees can receive monetary incentives. We are also busy at work trying to retain our previous sponsors.”
THE 2023 WOMEN’S AWARDS BOTSWANA NOMINEES
HE FOR SHE AWARD
Desmond Lunga, Tlhabo Kgosiemang and Christopher Seagateng
BEST WOMAN IN ARTS, CULTURE AND ENTERTAINMENT
Ditshupo Mosoboloko, Thanolo Keutlwile and Seneo Mabengano
HER ABILITIES AWARD
Koketso Seleke, Goabo Kgasa and Mumsie Odirile
SPORTS WOMAN OF THE YEAR
Naledi Marape, Ouname Mhotsha and Keamogetse Kenosi
WOMAN FASHION DESIGNER OF THE YEAR
Montle Rantatana, Lesedi Matlapeng and Trudy Bakwena
BEST WOMAN IN AGRICULTURE
Nomathemba Masuku, Basadi Molelekeng and Keolebogile Keabetswe
BEST WOMAN IN CREATIVITY, INNOVATION AND TECHNOLOGY
Marang Mbaakanyi, Didintle Moreki and Thandeka Palai
BEST WOMAN IN TOURISM AND HOSPITALITY
Masego Keleadile, Wapula Matshambane and Tshepo Phokoje
YOUNG WOMAN OF THE YEAR
Bridget Gothaang, Waone Makobo and Kimberly Matheakgomo
WOMAN OWNED SME BUSINESS OF THE YEAR
Suits Africa, Nomlu Nail Bar and Sunflower Desserts
BEST WOMAN OWNED BUSINESS
Prezlin Clothing and Dawn Bell Academy
FEMALE MUSIC ARTIST OF THE YEAR
Mpho Sebina, Dato Seiko and Priscilla K
BEST ORGANIZATION SUPPORTING WOMEN
Sekao Foundation, The Fighters Support Group and Single Mothers Living with HIV
BEST WOMAN WITH COMMUNITY IMPACT
Lebopo Bulayani, Nanzelela Chaitezvi and Kebadile Wasenda
MEDIA WOMAN OF THE YEAR
Poppy Sello, Keikantse Shumba and Kedi Lezozo
FAVOURITE PERSONALITY OF THE YEAR
Marang Selolwane, Palesa Molefe and Masi Sithole
BEST WOMAN IN LEADERSHIP
Naseem Lahri, Neo Bogatsu and Lily Rakorong
WeekendLife
AMANDA BLACK RETURNS TO SELF WITH NEW SINGLE “NGUWE”
“NGUWE” SETS THE TONE TO HER FORTH STUDIO ALBUM
Johannesburg, Friday, 17th March 2022- ” Amanda Black returns with her signature mix of Afro Pop, hip hop, R&B, and deeply-rooted Xhosa influences to deliver an inspirational message of returning to self and self-love with her new single “Nguwe” .
Available all digital platforms.
The single comes as Amanda Black gears up to release her forth studio album, featuring new songs with her signature sound infusing R&B Soul and tribal African melodies. As she grows and discovers herself as an individual, a spiritual being and a musician, Amanda is on a journey of self-discovery. The music reflects on the better and more hopeful space she has come to in this journey, the single “Nguwe” sets the tone and follows the theme of the upcoming album. The music is about falling in love with self , honoring yourself by self-acceptance. The overall theme and message is spiritual reconnection and trusting herself with her music.
Surfacing in 2016, that album was certified platinum a scant three weeks after its release and went on to earn Black numerous nominations and awards – including three South Africa Music Awards, two Metro Awards and a BET International Artist Of The Year nomination.
Most importantly, Amazulu’s mix of Afro Pop, hip hop, R&B, and deeply-rooted Xhosa influences secured Black a devoted fanbase that stretched right across the country. These music lovers quickly embraced her gift for telling authentic coming-of-age African stories through songs that touched on the universal experiences of love and heartbreak, of finding and losing yourself, of having hopes and dealing with fears.
But, in the background, Black was discovering that the road to becoming a fulltime artist wasn’t easy – even one marked by commercial and critical success straight out of the gate.
Of course, when she began singing in church as a child growing up in the Eastern Cape, and even when she studied Music Education at Nelson Mandela Metropolitan University, Black never imagined it would all be plain sailing. She knew there was no guarantee that, when she boarded a Greyhound bus headed for Johannesburg, she would return home with a story of success to tell. Too many talented musicians from her home town had made that same journey but had never returned – an experience captured with poignant insight on “Bayile”, one of Power’s standout tracks.
Still, Black never expected she’d have to expend so much energy standing up for her artistic rights after she’d become one of South Africa’s most popular and awarded artists. There was even a moment when she thought, “what am I doing this for?”. “The music industry is not what it looks like from the outside,” the 25-year-old says, with just a flash of emotion. “Becoming a singer is not what you imagine. It’s a lot harder and a lot deeper. At that time, I asked myself, ‘do you even still love music’. I truly didn’t know if I could continue to keep fighting to be treated with respect and fairness. There was a part of me that thought maybe music should just be a hobby – that I should just return to that happy place where I play my music and sing, for myself, my family and my community and it feels good.”
But, in spite of feeling helpless and hopeless at times, deep down Black knew that she still adored this thing called music; that the dream she’s always had, of doing something that can change the world and heal people, remained intact. And so she went to the one place where she knew she could move through the dark and into the light and start writing music again: home.
“My family is like my compass,” Black says, her words laced with gratitude and love. “They are always there to support me, especially my mom. Whenever I go home, it’s to recharge. I can honestly say that being there is like getting my superpower back.”
Alongside allowing her to feel the energetic power of her roots and the love of her family, being home enabled Black to make sense of the journey she’d travelled so far. She’d learnt to play and write on the guitar at 16 and, as part of reclaiming the purity of her love for making music, she returned to the instrument within the safety of home. “The sound of the guitar soothes me, and it reminds of when I would write and play music with no conditions, with no expectations,” she says. Black also began working with the beats and melodies that she has on her phone, freestyling lyrics with no judgement or editing, letting her spirit feel its way forward through singing and playing and imagining.
With a renewed sense of her creative being propelling her, Black returned to Johannesburg. There she embarked on process of making Power and establishing her new label Afro Rockstar, in partnership with Sony Music. Power is a mix of autobiographical songs – a highlight is the light-hearted “Egoli” – and others, like first single “Thandwa Ndim”, that see Black giving impactful voice to the experiences of women in the current socio-political moment. The album features several love songs including “Lemme Go” and “Love Again”, and includes the stunning “Hamba”, a song about being thirsty for life, love, hope and happiness that features a chorus sampled from Margaret Singana’s “Hamba Bhekile” off “Shaka Zulu”.
Power sees Black once more working with producer Christer Kobedi and the album also has a special collaboration with keyboardist and producer, Kenneth Crouch. In the end, it’s an album of inspiration, of motivation and of integrity. As the next musical calling card of a South African global artist in-the-making, it’s breath-taking and is poised to bring Black back to where she belongs: performing beautiful music for music lovers everywhere