Ever since its formation a few years back, Copyrights Society of Botswana (COSBOTS) have received criticism as a collective society from both the artists, arts practitioners and the industry at large.
This led to a feud of the organisation’s Management that saw some of the artists ‘boycotting’ the society, questioning its mandate and the criteria used to calculate royalties, some criticising it for bringing the industry into discrepancies. However this week WeekendLife Editor, DAVE BAAITSE unravels a new digital technology that aims to solve the mystery that continues to mask the arts industry.
The new platform known as StreamBW is a robust online platform that avails the opportunity where artists can store, tag, playlist, share and market their music assets to prospective buyers. Developed by a local young social entrepreneur and music artist, Kebaswele Kebaswele, the platform does not limit anyone; it will even extend to young upcoming artists who found it very hard to breakthrough. According to Kebaswele, they found it befitting to come up with the concept because of the unfairness and opaque that surrounds the distribution of royalties.
Kebaswele said, in the next two months, they will be running the trial of the concept before registering artists. Asked about the involvement of COSBOTS, he said they have thoroughly engaged with COSBOTS as they are the main collective society and they have agreed on common grounds on the new initiative which they deem to be beneficial to all. “We have agreed with them, some artists will sign directly with us and others will sign with them, it will depend with artists”, said Kebaswele in an interview this week.
He brought to light the fact that the new concept will use the Universal Streaming formula in terms of the rates for royalties. Artists will subscribe for a small fee for a period of twelve months and they will pay as little as 9% of their royalties when they are registered directly with them, a percentage that will be slightly less than what COSBOTS is currently charging artists.
Kebaswele said they have also engaged Botswana Communications Regulatory Authority (BOCRA) who also gave thumps up to their concept. They are currently working with them to develop a legal framework that will enhance a smooth sale of the new digital platform. “Our marketplace provides music buyers with intuitive search and discovery tools as well as thematically and topically- curated playlists, allowing them to find and license the music they need quickly and painlessly. Additionally, our system facilitates easy administrative clearances by providing disparate, interested parties, such as writers, publishers and producers with a means by which to connect their fractional ownership shares and thus make the content available for licensing”, he said.
Kebaswele said they are committed to maintaining transparency with their music providers and clients. He is of the view that their right holders maintain complete control over pricing and choose to make their music available for automated transactions or elect to only accept offers from potential buyers.
“Music buyers, such as brands, creative agencies, music supervisors, filmmakers, and advertisers now benefit from having access to an incredible selection of music that has been designed with their uses in mind. Music that can be discovered, licensed or purchased, easily and efficiently”, he narrated. According to Kebaswele there is too much transparency in regard to this online platform.
“This thing is self calculated and each and every artists can calculate for themselves how much they made per month but the royalties will be paid annually, there will be no cheating”, he said. He also revealed to this publication that in terms of music they will be staging StreamBW online musical awards annually. The awards will be based among other things the most downloaded song and the most streamed song or artist. Artists will have the opportunity to direct their fans to the stream using social media when they inquire about their songs.
The past week saw what detractors labelled social media piracy when Charma Gal’s new song which is believed to have leaked before its mastering and mixing was shared across all the platforms in social media, especially on WhatsApp. Kebaswele said this was an opportunity from a big artist like Charma Gal to have made more money and benefiting from the platform.
“After her last offer which took the industry by storm, it is evident that her fans have been waiting in anticipation for her new release, that is why the ‘demo song’ went viral and that was an opportunity”. He also said this platform will act as a music hub or data bank for local content more especially music. Right now when you want old music from legendary artists such as Stigga Sola or Stampore to just mention a few, you hardly get them or find nothing on the internet.
“Hollywood Productions come to Botswana to shoot movies but they hardly use our own music because there is nowhere they can find it, this is simply because it is not available online and only a few modernised have subscribed to iTunes”, he said. Amid in- brawls that continue to besiege COSBOTS, this week the industry woke up to the shocking revelations that founding chairman, Solomon Monyame, has resigned under uncertain and unclear circumstances.
Botswana Entertainment Promoters Association (BEPA) is one organisation that was heard voicing out their grievances pertaining the concerns of the association and its dealings. However COSBOTS remains the only body that exists to protect the copyrights and paying royalties to registered copyright holders in the country.
Botswana Musicians Union (BOMU) is known for its bad reputation that has been getting worse over the years. There has been a lot of chinwag, squabbles and the organization literally lost touch. It has gotten so bad that stakeholders pulled out, and members were left with no choice but to face the music alone.
Just when you’d think the waters are calm, the new Executive Committee awarded a fledgling company, Total Music Group, to handle the 2021 music awards. This move was seen as a biased decision that got BOMU members bent out of shape.
However, BOMU Secretary General, Rasina Rasina told Weekendlife that the Executive Committee that it has many irons in the fire. He indeed admitted without reluctance that, BOMU has been clouded by hubbub.
“We pledged when the new administration took over that it would begin with cleaning our own house. We have built structures as we had promised and we are glad that they are fully functional. One of those is the disciplinary committee.”
“BOMU has for a long time appeared to be lacking discipline and proper laid down procedures. This has led to the organization losing out big in its endeavour to serve its members and the entire music fraternity. The National Executive Committee, chapter committees and sub-committees have committed to ensuring that non proper governance and accountability shall take centre stage and this is all that is happening,” Rasina told Weekendlifeon Tuesday.
Rebuilding and rebranding a disintegrated intuition such as BOMU is not just a walk in the park, it needs concerted efforts and team work to actually reach that goal. A stitch in time saves nine, but as for BOMU, the entire union failed to address its dares a long time ago, but the union says everything is on track in recuperating public trust and fixing the mess created then.
BOMU Research and Policy Committee is hard finalizing a new code of conduct which will contribute significantly to how members and leadership conduct themselves and relate with each other for the furtherance of BOMU’s mandate, Weekendlifehas been reliably informed.
“We are doing everything according to our constitution, logic and reason. We advise our members that they should point out where the constitution has been breached and that they are at liberty to follow due process and report any misconduct to the disciplinary committee,” said Rasina.
This is following the suspension of some executive committee members and BOMU subscribed members for questioning the integrity in awarding the music awards tender. Some members, told Weekendlife that they will seek legal advice on the matter.
“We do have members who have already appeared before the disciplinary committee on various charges and decisions are yet to be taken. We also have members who are yet to appear before the committee for various complaints levelled against them. Current suspensions are related to various complaints and offences.”
With regard to appointing Total Music Group, BOMU National Executive Committee says it used Article 9.3.19 of its constitution. The article says; “The National Executive Committee of BOMU shall have the authority to enter into legally binding contracts on behalf of the Union.’’
Rasina says the leadership needed a company to manage, host and sell the BOMU awards for five years consecutively so as to attain stability and refurbish the brand image of both the music awards and the organization. “Without any money at our disposal, we debated on the best model and agreed that we should engage a company that also has the capacity to mobilize resources. We used our discretion and decided on a direct appointment model which is perfectly legal and constitutional.”
To a stranger, Seneo Perry would describe herself as a young darling zealous about wildlife conservation, international travel and tourism enthusiast.
She is also a staunch believer in empowering young children through educational programs that could expose them to live improved livelihoods.
Perry is a former beauty queen (Miss Earth Botswana 2020). For her, a beauty queen should get down and put in some work, get dirt and make an impact. Of course a picture paints a thousand words, and judging from her successful projects, she lives the talk.
During her reign, Perry adopted the SOS Children’s Village. This is a home for 92 orphaned and less privileged children. She introduced few projects to aid the running of the children village, at the same time sourcing sponsors. She named one of her projects ‘Restoring the Prime Colors of the Earth.’
Restoring The Prime Colors of the Earth was founded on the basis of teaching children about the importance of conservation and environmental protection through tree planting and vegetable gardens.
The project, she told Weekendlife this week, gained local and international recognition, particularly from tourism magazines.
COVID-19 came over and messed up her strategies for the year. Perry however did not cry over spilt milk instead she was smart enough to divert into other streams of raising funds to execute her obligations.
Perry did not put all of her eggs in one basket by doing something that could make her get infected, but rather sold t-shirts that would double as a promotion strategy dubbed #PeopleWildlifeEnvironment. To this date, she raised over P7000.
“I love being out in the wild and promoting sustainable tourism. I would then pick the best 10 children that worked very hard at the project I have with them and introduce them to the wild with the money I raised,” she said in an exclusive interview.
“The idea is to stick to making the trip for the children educational especially on the aspect of conservation because realistically speaking tourism is the backbone of conservation.
I want them to have first-hand experience with the African elephant and visit the Elephant Havens Wildlife Foundation in Maun. Unfortunately due to floods in Moremi Game Reserve, the plan of a game drive has been aborted.”
Initially, Perry says she wanted the children to have been those from the SOS Children’s Village. She had to put them on ice due to insufficient funds to transport them to Maun. This however did not dishearten Perry, instead she located Bana Ba Letsatsi (in Maun) to embark on this journey.
She told Weekendlife that the trip will be undertaken today (Saturday 20th March 2021).“Tourism has always been the backbone of conservation and it needs to be protected. Therefore, it is imperative to introduce children to wild spaces so they get to appreciate the ecosystem in the wild.
These young children will be leaders and decision makers in the near future. Decisions made will either cause a catastrophe to the wild or help it recover to a point wherein both humans and animals co-exist.
Seneo Perry is an environmentalist equipped with a Bachelor’s Degree in Entrepreneurial Business Leadership from Sheffield Hallam University and Miss Earth Botswana 2019 finalist. She was crowned Queen in 2020.
She is also a member of Kalahari Conservation Society, a conservation society which is instrumental in environmental initiatives and activities that concern the environment.
Beyoncé once said in one of her famous songs; ‘I’m a grown woman, I can do whatever I want’ and Sasa Klaas took those lyrics to heart, living her life according to what pleased her, not caring how people perceived her. Klaas was unapologetic about how she lived her life.
Sasa was born Sarona Motlhagodi on the 17th May 1993, daughter to Minister of Nationality, Immigration and Gender Affairs, Annah Motlhagodi. Sasa’s music career took off when she collaborated with Scar in ‘A ke mo khande’, soon after that she became a presenter on etv’s The Foundation: The Next Level from 2011-2012, following which she released her first solo hit Hadsan.
Klaas was mostly known for her hit single MmaMongwato, released in 2015 and in between she featured on many songs with the likes of songstress Samantha Mogwe, BanT, William Last KRM, to mention but a few. Her last song was with her on and off boyfriend Baxon, releasing ‘The best things’.
Sasa was an embodiment of a 21st century phenomenal woman. She challenged stereotypes associated with women in the male-dominated music industry, breaking glass ceilings to become the country’s most recognised female rapper.
A thick skin she had, she would take criticism as sarcasm and laugh off all trolls made about her. Obviously criticism hurts, but for her, it was more of a learning curve to be sturdier rather than a stumbling block.
Her controversial nude posts didn’t sit well with a number of people but that did not stop the artist from living her life as she pleased. Skin, especially on social media, has been regarded as distasteful but for Klaas it was another form of art, it was her idea of feminism. She was a nudist and unapologetic about it.
For so many young women in this generation, showing your skin is being content with yourself, at least, some learnt this from Klaas.
Living life like there is no tomorrow doesn’t necessarily mean going way too fast with the trends. It actually denotes to being able to delight yourself with the premium things you like. This means going out on vacations, checking in at the best hotels in town and catching up with friends.
She was a fun enthusiast (unapologetically so), and a bubbly figure who would pose for pictures at any given time. Klaas lived her life fiercely and fearlessly. Her passion and pursuit for the things she loved was unmatched.
SASA KLAAS’ DEATH Saturday 6th March 2021 was never the same again. Self-proclaimed queen of hip-hop, singer, songwriter, influencer, socialite, feminist, activist and go-getter Sarona Motlhagodi was shockingly announced dead on this day.
It has been reported numerous times that Sasa Klaas died of a helicopter crash at Xumabee Game Ranch, in the West Sandveld near Sojwe. According to an official communication from government, the pilot was unable to execute a safe landing.
An official statement from the family spokesperson and uncle to Sasa, Frans Van Der Westhuizen said that at the time of her death, Sasa was in a helicopter with one Leonard Matenge. Matenge survived the crash having sustained minor injuries. The preliminary findings from the helicopter are yet to be concluded by the aviation authority.
BECOMING MMAMONGWATO Sasa Klaas climbed the industry ladder steadily over the years since her debut, cementing herself as a household power brand. “Over the years, I have grown from that young woman, I have found a new sound and direction that I am now following.”
Her hot single release ‘MmaMongwato’ sent all her young and old aficionados to cloud 9. They obsessed over the hit and it is without doubt Sasa Klaas did justice to the song, so much so it had social media and radio stations in a frenzy.
The queen herself, said the inspiration behind the song stems from the norm where slim women have been projected as the ideal model of beauty. Technically, she represented women with her full figure-ness, a description so familiar with Bangwato women, hence the title of the song ‘MmaMongwato’.
Since then, Sasa Klaas challenged women to be themselves. She was a feminist and would use her social media to effect change as best as she could. She had over 140 000 followers on her Facebook page before her untimely demise.
When addressing the media at the time (June 2015), Sasa Klaas said, “We have learnt that the feminine side has not been given a chance for expression. Women are always seen as a sex symbol.MmaMongwato is a song I dedicated to women and it will help remove that mentality.”
THE MUSIC INDUSTRY LEFT REELING The sudden passing on of Sasa Klaas has left the music industry shattered and in despair. The queen of rap was indeed the people’s bae, even artists in neighbouring countries have sent their messages of condolence, South African rapper Tuks Senganga being one of them.
In Botswana many fellow artists have taken to social media to show their shock and send messages of condolence to the family.
“You represented women in the male dominated industry. I appreciate you for representing women, teaching them to love and appreciate themselves,” wrote Amantle Brown. “Your absence will be evident and it will be felt in every single way,” says Samantha Mogwe.
Vee Mampeezy has urged Batswana to continue celebrating Sasa’s life and changing their Facebook profile pictures to any picture of Sasa, most followers have done so in respect of the life lived by Klaas.
May your soul rest in peace Sarona ‘Sasa Klaas’ Motlhagodi.