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#Tlatsalebala: 8000 tickets sold so far



Behind the #TLATSALEBALA organizing is a brutal war of egos between promoter’s artist’s managers and creative industry entrepreneurs. Whilst the public has given all the goodwill to the #TLATSALEBALA concept and the public has not withheld any grain of good will, behind the scenes its an ugly scenario.


The #TLATSALEBALA management has a choice of explaining themselves to artist who are expected to be a part and bold font of the concept. It is not raining but pouring as the question of whether this is a charity or business event refuses to depart from the lips of musicians, their managers and promoters alike. Behind the scenes, it is ugly from toe to hair.


#TLATSALEBALA management says the line up of 06th May 2017 at the National stadium now stands at 62 artists. This is on the backdrop of some artists demanding commercial contracts. #TLATSALEBALA management team is unable to furnish those required to perform at the vent with contract because they have ruled out the idea of paying artists.


Before Kast went out for a 1000km walk in raising awareness for the event, almost all the artists were prepared to do it for free. What made matters worse is that the understanding was that he is walking to raise the BWP 200, 000.00 needed for the venue and appropriate logistics.


This scenario literally turned upside down when the chairman of Botswana National Sports Council, Solly Reikeletseng, announced on his Facebook page that the BNSC has resolved to sponsor #TLATSALEBALA to a tune of BWP 200,000.00 to cover he venue and associated venue logistics. Though this was meant to show the commitment of the Honourable Thapelo Olopeng’s ministry in supporting and growing local arts, it has come back to be a painful offer already accepted.


Some artists are now questioning why they should perform for free. Artists are positing that Kast wants to pursue slavery in making them work hard for free. It appears, somehow along the line, the #TLATSALEBALA management team, in accepting the many gifts, money and offers in support of the event during the 1000km walk, they then began to pursue the event as a charity exercise. This is the confusion that that the sponsors, well wishers, donors and ticket buyers do not know about.


It has come out blazingly clear that when Batswana reacted to Casper Nyovest’ connotation that he does not know Kast and asking who Kast was, Batswana went in to defend and uphold the status of national patriotism. The artists also wanted and possibly, still want to prove themselves that they can fill the stadium. But with an environment of creative arts that is naturally so, by form and format filled with competition of who is best on stage, in good will and in making money, the #TLATSALEBALA concept has become a monopoly of bruising egos.


#TLATSALEBALA management team is behind all the fracas. From the conversations, it appears Kast is not even aware why there is animosity by artists towards his initiative. The artists expected to take part are asking why they should perform for free, pledge their support, their names, and their backing crews for a show that will only benefit the #TLATSALEBALA management team. It is being argued behind the scenes that Kast will not necessarily make money out this initiative.

 

The only trophy that he will be taking home is that of being bold, courageous, walked 1000km and filled up the stadium and the cash will remain with those behind the scenes, the #TLATSALEBALA management team. Names of those cashing on the initiatives have been passed to this publication and Kast’s name does not appear on the list.


Reached for comment on this matter, Resego Matenge, well known as Leshman who is also the owner and Manger of Leshman Holdings and a manager and partner to Charma Gal, he rubbished the #TLATSALEBALA concept as having lost meaning. He insists that” the whole thing has become opportunistic”. Matenge, is of a strong view that they are not taking part on the #TLATSALEBALA as they haven’t received an invite “from the initial failed event where we were not on the line up and the current one which is presented as a charity event though grossly commercial”.


Matenge lamented that when the whole concept began, Charma Gal was on hype through the ‘sekuta’ album yet was never approached to fill the stadium. That Charma Gal is currently dominating the airwaves and public spaces through ‘mmokolodi’ and is still not invited goes on to show that, only artists who are willing to perform for free due to their hunger of stage presence are targeted. Matenge persist that “the issue of performing for free is not ours, we have a business to take care of and we are fully booked on top of having our own schedule and if they want us for our show they must in monetary terms give us a reason for abandoning our plans”.

 

When quizzed by this publication as to why they can’t just do it for free if approached to be a part of the line, Charma Gal’s manager and live in boyfriend fired that, “we have 12 employees doing backing vocals and backline, they don’t know if they can perform for free, we have transport that has to be monetarily catered for and our rehearsal venues that are not charitable especially for a profitable event”.


What is taking centre stage is the backstage fracas is that the original concept from Casper Nyovest to fill up the ‘dome’ was not charitable. It was of a reputable and crowd pulling line up. The assertion at backstage is that the #TLATSALEBALA concept of Botswana is rather about only benefiting a few individuals and hence different from Casper Nyovest who never asked for free shows.

 

What is coming across is that the artists are willing to support each other without cost only if it is an album launch and nothing more. It is also becoming increasingly clear that a lot of artists feel that they are being asked to be a part of an event they don’t understand as questions they ask range from not knowing why Kast walked 100km and they posit that to this day he never explained to them why they or he should walk 1000km to fill up the stadium.


MASSIE HULE COMMENTS ON #TLATSA LEBALA


“I am part of the crew that deals with artists and as far as I know there is no artist who has refused to perform at #Tlatsa Lebala. Everyone here was pledging, no one is paid a penny. We implored a first come first serve strategy and we gave prominence to the first line- up before the event was postponed,” said Hule.


While commenting on Charma Gal and Drama Boi not being part of the line- up, Hule said they had communicated their engagements with the organising team. However he revealed that Charma Gal had earlier served them a quotation, something that showed that she wanted to be paid for her services. “She should understand that this is not about individuality, this is a national project,” he said.


Currently they have a line- up of about 62 artists and more are calling to render their services but according to Hule, considering the 16 hours time frame they have, they can’t include everyone. He said that the last time he checked into tickets sales was two weeks back and they stood at eight thousand, he however added that they are optimistic that they will fill up the stadium.

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WeekendLife

Death or Divorce – a tough choice for many

24th May 2022
pic

Rebecca* is a woman in her late thirties. She holds her head high and walks with a sway in her steps. There is an air of confidence when she speaks. So when she tells me how her husband has been abusing her throughout their 17 years of marriage, I am taken aback.

“Everyday is a new experience for me. I don’t know what version of husband I’ll meet; the one who will scold me for forgetting to lay out his clothes or the one who will hit me for putting too much salt in the soup,” she says while wiping tears. 17 years is almost two decades. I ask her why she has had to endure all that pain for a long time but she only shakes her head and does not answer.

Like Rebecca, hundreds of women experiencing domestic violence find it difficult to leave. For some, it is for reasons best known to them, for others, they simply do not know why or have the words. People who have not experienced abuse find it unfathomable that survivors stay in their relationships and not leave. It seems almost like they enjoy it. But until an experience has been felt, it is easy to give directives on how to act.

For Ms. Ilavbare Goldfish Rahmatulai, it took 6 years to escape the suffocating grip of her abuser. “It was a traumatic experience,” she tells me. “I can tell you this for free; the same intensity used to abuse you is the same intensity used to beg. When he does this, pity begins to set in and you become confused on what to do.”

Ms. Ilavbare Goldfish Rahmatulai

I ask Ms. Demilade Lawal, a psychologist from the University of Chester, in an interview, if there is a psychological reason behind this and she affirms.

“For a lot of women, it’s a glimmer of hope that things are going to get better. And that glimmer of hope can be understood when we are aware of the social cycle of abuse. There is a tension phase, an abuse phase and a honeymoon phase. In the honeymoon phase the abuser temporarily changes his ways and alters the victim’s decision to leave. Then the tension starts and then abuse follows.”

Another reason women remain entangled with their abusers is the fear of the unknown, the unclear reality of what would be after leaving.

“The truth is, as much as this person abuses them, there is an emotional connection. They love this person, there is a traumatic attachment whether they are aware of it or not. It is not the best love environment but it doesn’t change the fact that this is how they feel about the person that abuses them. So the thought of starting afresh without this person whom they have grown to love despite the abuse is just as frightening,” Ms Lawal says.

Although this may sound like an unjustifiable reason to some who have not walked this path, Ms. Rahmatulai agrees.

“In my case, I loved him very much. I could not imagine going to tell my family members or friends that the man I loved started hitting me as early as a month into our marriage. I was embarrassed. So I stayed back, hoping it would get better,” she says.

Research shows that one of the many reasons why women remain in abusive marriages is a lack of income which results in total financial dependency on the abuser. Could this be a strategy to trap the victim in an abusive cycle?

“While I was married, my husband would give me very little housekeeping money. He knew I did not have a job and the money would be insufficient but I could not say a word. I had to feed my children. If I complained I would get beaten. He provided for everything in the house, what authority did I have to question him,” Ms Rahmatulai says to me.

I ask Rebecca if she has a job and she says no. She mentions she’s an interior decorator but she barely gets offers. When she does, her husband collects everything.

A major factor for avoiding abusive marriages is to identify red flags. However, these flags are sometimes mistaken for natural behavioural traits. In Ms Rahmatulai’s case, she tells me she noticed her husband was quick tempered and ill mannered before marriage however she waved them aside as he had never hit her during courtship.

How then can abuse survivors find the courage to leave?

“The decision to leave is a process, it takes a shift in perspective – realising that you deserve better and that your kids deserve to grow in a healthy home where they don’t learn to be abusers or think it’s okay to be abused,” Ms Lawal says.

“When I pack my bags to leave, my husband would hit me. When I unpack, he would hit me. I started going to school to get a degree and then later I started trading. When I had what seemed like enough then (N80,000/ $192), I left my husband regardless of the worst that could happen. I realised if I stayed long enough, I would be dead,” Ms Rahmatulai says.

“It’s been 20 years since I left. I’m 51 and a lawyer now. I have dedicated my life to helping women in abusive marriages leave. So many men have called me a home breaker but I say it’s better to break a home and save a life.”

*Rebecca has asked to stay anonymous by using a pseudonym.

Claire Mom is a Nigerian journalist and an advocate for human rights.
Email: clairemom26@gmail.com
Twitter: speakclairely

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WeekendLife

7 Days to go before As One Music Concert

24th May 2022
ATI

Multitudes of music lovers are expected to throng Francistown’s Obert Itani Chilume Stadium for the highly anticipated As One Music concert next weekend.

Updating WeekendLife on the preparations of the event, Kesego Okie said the preparations for the show are going well and they are working around the clock to make sure that they fulfill all logistics that need to be concluded. She said, ATI has been working hard alongside the featured artists to give Batswana the best experience at concert.

She said that the concert has been accepted well by Batswana and they are very happy with the ticket sales. ”But of course we are looking forward to more ticket sales as more people are showing more interest in being part of this historic event and we are grateful to all our partners and sponsors.”

She appealed to the Francistown Business Community to come on board and support the initiative as it’s a concert for the people. Okie said Francistown was chosen for a reason as they believe it is a gate way to a number of other strategic places in Botswana like Maun, Orapa, Phikwe and Kasane.

“We also felt that since the city has been greatly affected by COVID-19 an event of this magnitude was befitting to be held in Francistown so that we can also play our role in uplifting the socio-economic livelihood hence we believe it is vital for the business community of Francistown to embrace us so that collectively we can contribute meaningfully together as one to the community of Francistown”.

She indicated that they have a large number of artists particularly from Francistown that have shown interest during the show activation and other artists that have collaborated with ATI in the past and those that have contributed in the growth of his music, and it would be very difficult for them to fulfil the mandate of the show without support particularly from the corporate community in Francistown.

Tickets for the event are sold at P50 kids, P150 general, 500 VIP silver circle and VVIP for P1500. All tickets are sold at all Liquarama Outlets across the country.

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WeekendLife

Phakalane soars to new heights

24th May 2022
Magang

Founded 30 years ago by David Magang, Phakalane Estates came from humble beginnings to gradually expand into developing one of the most desirable neighborhoods in the country which attract high income dwellers.

When the development began in the early 90s the estate was to be developed into 13 phases. It is then that a decision was taken by the developers to come up with plans that would be appealing to certain groups of the society.

Phakalane Estates continues to make its mark in the property development space, this year, they have managed to invests over P45 million on major renovations to the Golf Estate properties namely the hotel, golf course, and conference center.

Already the company has erected 84 single and double bedroom apartments which commenced early this year. The construction of these new apartments has been set for Peto Estates, a gated community within the Phakalane neighborhood strategically placed a stone’s throw away from multiple shopping centres such as Mowana Park and Acacia Mall.

“We want the best for our clients that is why even in Peto, we have various apartments for every one and also bearing in mind that the people should be not far from the complex,” Phakalane Estates’ Lesang Magang said in an interview.

So far the roads tarring has started at Sebote estate which is part of the estate expansion, it is expected that even things electrically will get handed to the Botswana Power Corporation which will be the last stage plus the lights on the streets. “In terms of infrastructure we don’t compromise we ensure that it is world class so that we don’t disappoint our clients. Those that brought houses earlier when they sell them it comes at a profit.”

Following the success of the launch of Peto Estates back in 2014, when over 300 plots ranging in cost from roughly P300, 000 to P1.4m were immediately sold out with a high surplus of demand, Phakalane Estates boasts strong confidence in the market demand for new apartments in the area.

The apartments are set to follow the trend of the estates with state of the art modern designs and facilities that will unequivocally catch the eye of professionals in the market for a smaller yet upscale rental property in Gaborone. Phakalane Estates CEO Subramaniam Parthiban has expressed plans for the creation of an all-new industrial park in Phakalane aiming to expand and consolidate the existing industrial strength the community already boasts.

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