Performing arts, if taken seriously can be a career and contribute to Botswana’s Gross Domestic Product as is in South Africa- South African actress, Sindi Dlathu has remarked. Dlathu revealed this at her Master Class last weekend at the University of Botswana.
Dlathu was seemingly impressed by the “potential talent” she witnessed during the intimate event. A cohort of young aspiring actors, choreographers and singers, attended the session; and according her, if incubated their talent can help improve the country’s economy. Dlathu is mostly known for her role as ‘Thandaza’ on popular Venda soap opera, Muvhango. She is one of the show’s founding actors in 1997. Dlathu was launched in the public eye at a tender age, having been amongst the Sarafina cast at only 14.
An all rounder, she is also a choreographer and singer and has worked alongside Michael Peters, the man behind Michael Jackson’s dance moves as an assistant choreographer. “In South Africa, the arts contribute enormously to the country’s GDP, it has grown and has now become a big industry and it is now contributing to the country’s economy. The Botswana government needs to seek sponsors and partnerships with other countries in order to draw investors from across. This can help further the career of arts individuals,” Dlathu advised.
Moreover, she advised that if the government can partner with Multichoice, a video entertainment and internet company with a strong presence in South Africa and across the African continent, this can attract investors from other countries. She further called on to the youth to be proactive and show the government that they really want to do this. During an interview with the actress on the event’s sidelines, Dlathu revealed that the passion of the young performers had impressed her. “I am touched by the passion, I have never seen such passion, these people were ready to absorb and they are also very insightful. They knew what they wanted, they did not come to see me but because they are passionate and I will definitely come again if invited,” Dlathu said.
“If I had a production house, I would take them all. There is a lot talent here!” she added. Meanwhile, theatre performer, Ralph Thato Dennison, who recently directed Kgosikgolo-The Musical and co-founded Sedibeng Choir alongside Andy Batshogile and others, in an interview with WeekendLife said he believes that the government is not doing enough to meet the needs of performing arts locally halfway. “I think government officials should do thorough research on the arts industry. The reason why they are not assisting enough is because they don't understand the magnitude, work and finance put on a production. In general our government is not doing enough to assist the arts industry. They put more focus on sports and the arts we are overlooked,” Dennison highlighted.
He further said that government personnel should undergo intense training and workshops to train them on the arts industry and what they go through to put up shows. “Most of the time we would for example propose a P200 000 budget looking at all the logistics and cost we are going to incur. Then they will in turn give us P70 000 and we will remain with debts after shows because of lack of resolute funding. On the other hand, when we request for funding and we include remuneration for performers we often get asked why we have to pay people to display their talents,” he lamented.
He also backed Dlathu’s sentiments about the arts industry in South Africa. “South Africans take arts seriously. They don't assist according to who they know. They have programs to assist mature groups. In South Africa people can make a living from performing arts because of consistency, here it is just measured as a hobby,” he highlighted. On the other hand, Co-Judge of Signed International, Tumelo Edward Chaba said that Botswana has great potential in the area of performing arts. “The potential is there and the market is ready to consume local content. The only challenge I see is we are still behind when it comes to investing in it, so artists can't do their best because of that,” said.
He further explained that acting in Botswana has improved in a major way. “Back in the days we didn't have local acting schools and now one can apply at Limkokwing or AFDA and get their skills upgraded and even gather more insights surrounding the acting profession in general. Furthermore some people are actually making a living out of acting,” he said. “The government is soon to launch BTV 2 youth Chanel and I think it is good news to both actors and producers so in a nutshell I think the industry is heading in the right direction,” he explained further.
Last year February, Minister of Basic Education, (then Education and Skills Development) Unity Dow was quoted at the launch of the Performing Arts programme as saying performing arts had the potential to diversify the country’s economy. The project tagged Unleash Your Star Qualities, which was a partnership between the Ministry of Education and Limkokwing University; enrolled 100 candidates selected from auditions conducted around the country and were to be credited by the university.
The performers enrolled would go on to produce and perform Moratiwa a theatrical piece under the guidance of legendary jazz artist Socca Moruakgomo. Since the play, the group never produced any other offering. Neither did the ministry nor the University show any signs the Programme would continue. This month, marks one year since Moratiwa premiered. On the other hand, the University of Botswana only started offering a Bachelor of Fine Arts (BFA) in 2009. In 2013, the department of Music, Visual and Performing Arts was introduced.
From as early as 1982, the UB had a travelling theatre, dubbed the University of Botswana Travelling Theatre (UBTT). The theatre, having travelled most of the country gained prominence and was appreciated by the public. It was on that basis that the university designed some theatre courses to be offered as part of the English curriculum and simultaneously recruited staff qualified in theatre studies to teach the courses. The first cohort of the UB BFA graduated in October 2014.
Although there are a lot of productions companies in Botswana, DeeZone productions has been dominant in the arts industry offering better platforms for actors and artists to showcase their talent. The company has hired a limited number of more than 30 graduates who have played part in local television stories, like Ntwakgolo, Lethabile, and even introduced Btv’s first magazine show Pula Power and First Issues.
Most local soapies that have aired locally are momentary; currently the country does not have a solid drama. Thokolosi and Re Bina Mmogo are two notable television dramas aired on Btv. Botswana has exported most of its acting talent to South Africa, including some musicians and models. Connie Ferguson, Oneal, Ban-T, Thato Sikwane, Thabang Mmolotsi, Kgomotso Ratsie and Kaone Kario are among Batswana who are making significant strides in the South African arts industry.
According to World Population Review, women aged 16-19 are four times more likely to be victims of rape or sexual assault and female college students ages 18-24 are three times more likely to experience sexual assault. Transgender people and those with disabilities are twice as likely to be victims of sexual assault or rape.
From these very statistics Botswana can be found second only to neighbouring South Africa with the highest rape cases in the world. The number of incidents per 100,000 citizens do not take into account the number of cases that have not been reported to authorities. This goes without saying that Botswana may very well be on the same level as South Africa if not surpassing it.
Most of these victims have a hard time dealing with the violence they faced to an extent where it affects their day to day life.
WeekendLife interviewed rape survivor, Patience Ruwona, who was raped at the age of 15. Ruwona shared her gruesome experience and what it took for her to find healing, gather strength and move forward.
“It happened eight years ago and at the time I was only 15 years old. My mother was staying with her boyfriend at the time. So it happened that one day I came early from school. I was still doing form 2. I was the first one to come back from school. The boyfriend was home. So when I was changing into home clothes in my room, the boyfriend came in without even knocking. He then told me my mother has left some money so that whoever comes back first from school can go and buy meat,” Ruwona narrated.
“I then told him I will come get the money when I am done. He went back to his room. So after I finished changing, I went to their room. I knocked and he told me to come in. When I got, I found him half naked with only a towel. That made me feel very uncomfortable because when we were growing, we were taught never to enter an elder’s room when they are not fully dressed. I told him I came to collect the money and he pointed the dressing table.”
Unbeknownst to the young unsuspecting Ruwona, her mother’s then boyfriend would then grab the young lad, rip apart her garments and have his way with her. When Ruwona threatened to expose him, the audacious perpetrator would laugh in her face, telling her that there would be nothing her mother would do about the incident. And true to his words, Ruwona’s mother did not flinch upon hearing the gruesome crime that befell her daughter.
“In the evening when my mother came I told her everything. It was a simple thing to her and she never took it seriously. I told her I am bleeding and she said go and wash up we will talk about this some other time. Just like that suddenly I recalled that man’s words and I truly believed him. Till then I have not told anyone about this. I thought my mother is going to protect me, so if my mother failed to protect me no one else could protect me,” said a distraught Ruwona.
Seeking help after being raped
“Physically I had no desire to have sexual intercourse, I was scared. Years passed by and emotionally I was still battling because there were days I had flashbacks of the rape. It’s like a wound, it can never heal but it can stop bleeding. It never heals. It will bleed another time. I felt uncomfortable around men and I never went for counselling. I never went for anything, I thought I will cope on my own,” she said.
“So one day I decided enough is enough and I decided to speak out. That time I figured counselling would be best. I later went for counselling and I was doing well. I had to accept it happened and put everything in the past. Forgiving my mother helped me to heal.”
Director of Save A Woman, Babedi Samakabadi, has highlighted that rape is a permanent wound that one has to live with for the rest of their lives.
“The first thing the victim can do is to admit that they have been abused and they should be able to talk about it to whoever they can trust; could be a close relative, a counsellor, a friend or a pastor. It is not easy to take a step towards your healing but it must be done.
Victims of rape, must create a huge room in their hearts to forgive the perpetrators even when they are not sorry, forgiveness will help the victim to make peace with life and the future. Forgiveness will allow the victim to be able to get over the horrible experience and not associate the intimate relations as abuse at all times,” said Samakabadi.
“If one doesn’t allow themselves to heal and move on, dating and engaging in intimate matters are going to be a problem in their lives. As the victim can disclose to whoever they trust like friends or family, they are also advised to seek more especially professional counselling for proper psychological therapy, as the memories of the incident may torment the victim therefore therapy may assist with getting to live with such memories without being drawn back or life progress being affected . Lastly, the victims must know that issues as these aren’t easy to deal with through our own ability, we need God for strength, wisdom and courage. We have no power to diminish some of the weight in our emotions or the damage done to our souls and hearts, hence we need God to carry us through.”
If you or a loved one is in need of help in dealing with rape or gender based violence, the following organisations provide free counselling services;
BOFWA (Botswana Family Welfare Association) 390 0489
BOSASNET (Botswana Substance Abuse Support Network) 395 9119
LIFE LINE 391 1270
MBGE (Men and Boys for Gender Equality) 395 7763
BGBVC (Botswana Gender Based Violence and Support Centre) 390 7659
BOCAIP (Botswana Christian AIDS Intervention Programme) 391 6454
After its initial outbreak with a cluster of pneumonia cases at a seafood, poultry and live wildlife market in Wuhan City, China, Covid-19 has spread rapidly across the globe. The virus has hammered economies worldwide and brought devastation to many.
On 16 September Shincheonji Church of Jesus, a church with thousands of members in various countries, held a global online prayer service to pray for the victims of the coronavirus and their families, healthcare workers, government officials and for the complete eradication of and cure for Covid-19.
The virtual prayer service was live-streamed to the entire congregation with more than 200,000 members in countries all over the world participating, including the USA, the United Kingdom, South Korea, Australia, South Africa, Namibia and Zimbabwe.
In keeping with social distancing, health protocols and protecting its members from possible exposure to the coronavirus, Shincheonji arranged the virtual gathering for members to pray together in safety and set an example for others.
Prayers were mainly for the healing of those infected with the virus, for overworked healthcare workers who are struggling to fight Covid-19, and for people in economic distress in the wake of the pandemic. The overwhelming online participation from its members worldwide showed the desire and urgency to end this virus and for healing and restoration in communities.
The Chairman of Shincheonji Church Mr Manhee Lee suggested this online virtual gathering and said that all believers will continue to pray at the church’s worship services until the complete eradication of the coronavirus.
At least 1,700 of the church’s South Korean-based congregation have donated their blood plasma for research around an effective treatment. Convalescent plasma has also showed promise as therapy for Covid-19 and is believed to have reduced the severity of symptoms in critical patients.
“In order to defeat Covid-19, we need to embrace, love, and unite,” as global citizens, the church said. “We wanted to do all we can as believers by praying for the people working to prevent the spread of the virus and healthcare workers who are working at the frontlines of this battle against Covid-19 and we believe that God will answer our earnest prayers.”
The annual prestigious music awards, African Muzik Magazine Awards and Music Festival (AFRIMMA), has resumed this year. But this time around with a virtual version of it.
The awards that celebrate the originality of African music has unveiled their seventh edition. The awards seek to promote the African talent by bringing together on the same stage African legendary artists to celebrate African culture.
The event was established by the International Committee of AFRIMMA, in collaboration with African Union to reward and celebrate musical works, talents and creativity around the African continent while promoting the African cultural heritage amongst African countries.
However after the Covid-19 global pandemic, the event will not be hosted on a live global stage, but it will be hosted virtually and nominees are expected to deliver their performances virtually. The AFRIMMA Virtual Awards 2020 is set to be the first of its kind in the African music world with performances coming from different artists around the world and audience catching the performances, speeches and award presentations on multiple streaming devices.
Amongst the many who are nominated by the AFRIMMAs is local sensation Vee Mampeezy who has been nominated in the category for Best Male Southern African alongside music giants, Black Coffee- South Africa, Slap Dee – Zambia, Cassper Nyovest- South Africa, Master KG- South Africa, Jah Prayzah – Zimbabwe, Vee Mampeezy – Botswana, Shyn – Madagascar, Tshego- South Africa, Tha Dogg – Namibia and Yanga Chief – South Africa.
Mampeezy has established with WeekendLife that prior to that, he had received an email from AFRIMMA confirming his nomination. They wished for him to perform which he said he will confirm the performance first with his manager, but as for now he is not sure if he will be performing.
“We have accepted the nomination. It is such an honour to be nominated alongside music giants like Black Coffee. I am very excited, others I am not as excited to be nominated alongside them because I have been nominated before with them. I do not mean to say they are not great, they are great in their respective right,” he said.
“We should be excited as a country that Botswana has been nominated as well. Before anything else, the fact that we are there as nominees makes us winners. It is such an honour to be recognised more so that Botswana is a small country with a very small population.”
Famous and most decorated artists the likes of Diamond Platnumz, Mr Flavour, Harmonize, Davido and Jah Prayzah are also amongst the nominees. However, South African based artist affectionately known as Master KG has been nominated six times for Video of the year, Best Male Southern Africa, Artist of the year, Best Collaboration as well as song of the year.
Master KG’s song ‘Jerusalem’ has been making waves internationally, and it was used mostly during the pandemic to shake off the Covid-19 anxiety. The song was nominated after South African Music Awards (SAMA) failed to nominate the young talented artist.