In a rare interview, legendary musician Hugh Masekela sat down with TshisaLIVE in July 2017, just months before his death on Tuesday.
Journalist Chrizelda Kekana spoke to Bra Hugh about the reason he was so selective with media interviews and his desire to do what he was passionate about. Bra Hugh told TshisaLIVE that he just wanted to impart his knowledge and didn't bother too much about his "legacy". "I don't have any ambitions [about my legacy]. I just feel that it's work that I am supposed to do, otherwise my ancestors will punish me. Why? Because I got so much from them. But I don't have an ambitious future about 'Hugh Masekela's legacy'."
Bra Hugh said he knew he was living through his "bonus" years and wanted to live it day by day. "I don't want to live beyond where I am now… and I live it day by day. And, I think once you get too involved with your legacy and all that sh*t, you are swallowed by your own ego."
“There will never be another Hugh Masekela. That’s how cruel death is but of course all of us will follow soon or later. We see a lot of people close to us passing on but we never come to terms with death or get used to it. It always in one way or the other break our hearts. It is death, a situation whereby a person vanishes from your eyes and from the surface of earth forever. Simply put, death shocks and devastates us. It’s a fact, THE LEGENDARY HUGH MASEKELA IS NO MORE.”
On Tuesday, Monageng co-owner of Millennium Jazz restaurant and host of a jazz music show on Gabz FM every Sunday dubbed “The Joy of Jazz” remembers seeing a Facebook post from one Shike Olsen in the early morning of Tuesday, when Bra Hugh died – “Am I the only one getting the reports that Bra Hugh has passed on? I hope this is a hoax.”
“Of course Shike was not the only one who had heard of the passing on of our beloved father, grandfather, brother, uncle and great music teacher, composer, arranger and performer and activist par excellence. Indeed a lot of people had already come across the shocking and unfortunate news but just that many were still reeling at the news of his death, with shock.”
Affectionately known as Uncle Shima, the avid jazz aficionado added, “For a fact we all wish to celebrate the lives of people who have done it all in life, touched our hearts and impacted positively on us but as human beings, the first inevitable feeling you get is that of sorrow and grief before pulling yourself together and thinking of celebrating the person’s life! It’s natural to grief under such circumstances and I’m among those who find nothing wrong with people who mourn and grief the passing of their beloved ones and even do so by crying. I say to such persons, yes, go on and cry, so long as you don’t mourn and grief forever.”
On Tuesday night, Seabelo Modibe reminded us on his Facebook post to watch a tribute and repeat of Hugh Masekela’s live performance at the Market Theatre via Mzansi Magic Music channel and oh boy, what a spiritual and moving performance of the man we will never meet again on this planet.”
“He was accompanied on stage by the likes of Khaya Mahlangu on saxophone, our very own Bro Blackie John Selolwane on lead guitar, Bass was Fana Zulu and Ezbie Moilwa from Mafikeng etc. I fully concur with Seabelo when he continued to say ‘Dear Hon President… (Sic)…Your Excellency President Mokgweetsi Masisi, please honour this man with a badge, let the Presidential Honours be bigger in 2018.’ However, I would like to advocate that let’s honour them whilst they are still alive especially in direct reference to Bro John Selolwane who has been arguably Botswana’s music ambassador.”
“Another friend of mine Mcjon Mosenene posited ‘The Choo Choo has stopped moving. The flugelhorn has gone silent. Jazz has been thrown into darkness.” “My humble request would be to humbly invite Bro Jonas Gwangwa to sing, ‘Don’t let the sun dawn on you’. I say this because within a short period, we have lost a number of great musicians in the likes of Ray Phiri of Stimela, Soares Katumbela, Errol Dyers and many others. Indeed a true legend has fallen – one of the great Architects of Afro Jazz. He had a soft spot for Batswana. He taught and mentored many. He has performed in this country more than any South African legend I have known.”
“He was to perform yet again at the Hamptons in March this year but his deteriorating health got in the way. I have told a couple of my friends including the late Soares (MHSRIP) that Bra Hugh didn’t take nonsense from anybody. My first close encounter with him many years back was at Moretele Park’s Joy of Jazz Festival where he was performing. The sound was not good and he played only two songs and left the stage saying the show promoter may keep his money and he would keep his music. After many other groups had performed, the sound was next to perfection and the jazz maestro came back on stage and did what does best.”
“In one of his shows in Botswana, we went back stage with a number of friends to wait for him so that we could greet him. While on stage, he spotted us waiting back stage. There was this pretty lady who stood there with us. The lady was a bit excited and kept on shouting Hugh Masekela’s name. Bra Hugh looked back and said loudly on the mike – ‘You are making noise and you should say Bra Hugh because I’m not your cousin. Also go and take off that dead people's hair (Tsamaya oye go ntsha moriri oo wa baswi).’ The poor lady cried, embarrassed and went to her car and slept throughout the entire show.”
“I also remember at one point at one of his shows where I was not spared. I was talking to him and standing very close to him and he loudly said, ‘Guys, please tell Shimmy that I don’t need his showers! This meant as I was talking drops of saliva oozed out of my mouth. I was truly embarrassed but unlike the lady I didn’t cry or leave the festival. Bro Hugh, the Father of South Africa Jazz, was a marvel to watch on stage. Even at the time when he was living in the evening of his days, he could be seen going down (maget-down) on stage better than those who were half his age.
Rest in Peace Bra Hugh for you have seen it all, done it all and you were larger than life. You enjoyed life to the fullest and you taught us a lot and your music will live on forever since you are leaving behind scores of incredible albums. There will never be another Hugh Masekela.” â€¨Uncle Shima – The Joy of Jazz, Gabz FM
It goes without saying that men and women handle pain differently. Especially emotional pain. Men tend to be more emotionally immature compared to women when it comes to matters of the heart.
It is for this reason that men do not handle break ups or cheating as well as their counterparts. Where women have been groomed from a young age to express their emotions men have been told to “suck it up and be a man”. This may be one of the reasons why men are unable to express their emotions. It’s therefore that it can be a tad bit surprising that men cheat the most but are the weakest to deal when cheated on.
Research has proven that men find it difficult to digest being cheated on. British Psychotherapist, Philip Hodson opines that men find it hard to forgive cheating because it affects their masculinity, and to them, it might signal the end of the relationship.
“Men can forgive themselves for their indiscretions, but they find it much harder to forgive their partners for the same. For a betrayed woman, an affair by a man is an offence against her dignity, but for a betrayed man, a woman’s infidelity is an offence against his manhood. It goes right to the core of his identity,” said Hodson.
WeekendLife also interviewed a few gentlemen on their honest feeling about being cheated and if they find it hard to forgive their partners after cheating. Tinashe Mangiroza said, “From the beginning, men are designed with the potential to have and to reproduce with many spouses. Women on the other hand are more or less designed to focus on one man. Along with this natural design, women have stronger pain tolerance. Yes women feel pain when cheated on, but their tolerance is much higher than that of a man (in view of what I said above).”
“And men on the other hand have a low emotional pain tolerance, hence the higher suicide and murder rates among men. Then remember there’s also the ego element which men have. So when you combine a big ego, low pain tolerance and other things such as selfishness and competing with other men, it almost ends a man’s self-worth when a woman he loves decides to sleep with another man.”
He admits to have been cheated on before which he said it took away his self-esteem and he had to sleep around as a way of easing the pain whilst waiting to heal. Another gentleman who was also cheated at some point, Monwabisi Ndumiso Mgenge, highlighted that when a woman cheated on him it becomes very difficult for him to take her back because loyalty is everything to him.
“This is because most of the times relationship involves sex. You see the person naked you enjoy that, you don’t want anybody having what you have. You are emotionally invested and have imagined the future many times and this is why some get violent cause its trauma really.”
Psychologist at the Obafemi Awolowo University, Prof. Toba Elegbeleye said, “when it comes to marriage, men and women see things differently. He pointed out that a man tends to see the woman as possession, and so, the moment somebody else tries to cross the boundary and interferes with his property, there is bound to be serious problem.”
“So, it is not because women don’t care or they forgive so easily, but the circumstances don’t favour them as they favour men. If women were in a dominant position, they easily would have driven the man away. So, the moment a female has committed herself to marriage, for her to voluntarily and openly get out of it becomes a kind of stigma, and women cannot handle stigma, particularly where children are involved. Mothers would not want to walk away, unless it’s beyond their powers, thus they would rather endure.”
Thabiso Cavin Bogopa, an Empowerment Expert also shared with WeekendLife that men are wired different from women hence their response to cheating won’t be the same. “What may prove to be a difficulty in men forgiving cheating is that, generally speaking men sleep with who they can, women sleep with who they want, so the overarching thing becomes she cheated with her desire, the person she is actually attracted to and the cheated man struggles with that truth, as he realizes that sex for him is opportunity based, while for his counterpart is a deliberate and conscious choice.
This to a certain extent is what forms the challenge for men,” he explained. “Cheating devalues an individual both the cheater and cheated on, but more profoundly manifest in the cheated as they start to decrease in their self-esteem, losing their regard for themselves as they are undermined they may begin to try to address this trauma in multiple ways but more commonly through being exactly what they detest because they are stuck in the experience, they therefore cheat and become messed up.”
“No one gets away with cheating even if you never get caught, you become depleted as a person by the lies, trickery and illicit emotional trade. But if we may, the choice to forgive a cheating partner is a personal choice that goes both ways.”
It takes more than just having the body for the ramp to be an “it girl/boy” in the industry. A lot hows into being the cream de la cream. This includes intense coaching and being fortified to thrive in Botswana’s modelling industry as well as making a name for yourself beyond boarders.
No doubt that the likes of Kaone Kario, Mmina Gaebonwe and Emmanuel Kayenda are household names today because of their well-crafted talent. Which needs to be passed on even to aspiring models. Raymond Geofrey an Editor and Content Creator at Vogue magazine who is also known for his Pan African story telling through photography, shared with WeekendLife about what it means and what it takes to be an all-round model, who is capacitated to make a living from their craft.
“Models need good etiquette and good communication especially when dealing with clients reaching to them. They should be able to professionally communicate with them. They need to be efficient in their communication. Professionalism also entails time management during bookings, shootings and auditions. Models should always be early by 1 hour 30 minutes. Enquire about contracts and make contact with consultants. This also include seeking legal advice,” he said.
“Models should have business cards and business WhatsApp numbers. They should possess a good social media account such as Facebook pages with clear biographies. Posts should be sponsored.” Knowing how to transcend the ramp as a model is one of the things that is always a big deal to models and agencies. Geofrey highlighted that models ultimately must know how to walk spectacularly on the runway. When it comes to posing, models are often expected to kill it and bring their A game which in turn will help shine their personality.
Geofrey said models do not take time to read and study as well as research about posing. The more models are confident the more they are able to bring out their personalities on the shoot. He said self-awareness is also imperative, as models are required to be aware of themselves. When wearing heels and walking down the ramp, they should catwalk to the beat.
When it comes to the modelling industry in Botswana, they normally complain about numerous things which are pushing the industry backward. One of these he said is industrialization and policy making, the most lacking and key factors in need in the sector. “The modelling industry in Botswana is still not industrialized that is there are no laws or policies currently in Botswana to govern the trade of modelling in Botswana. Modelling is still not a legal registered profession in Botswana,” he said.
“Affiliation of local agencies to global/international modelling agencies; we have seen a rise in business revenue with regards to fashion modelling in Nigeria, Ghana, Uganda, Kenya etc, due to the fact that they are exporting a larger number of models overseas to walk at fashion shows like Paris Fashion Week. This is simply because they have affiliations, partnerships with agents/bookers/agencies based in fashion capitals of the world (Paris, London, Milan & New York).”
Lack of etiquette which he said is rather unprofessional, is one of the things that hold back local models. “A lot of models in the country still walk unranked at shows (New faces, freelance, full time, professional, international model etc). Also models lack training in the art of modelling (posing, runway, social media training, and business acumen.”
In the age of brand ambassadors, models have been key in this aspect in making brands known and marketable. Even so, they are many slots that define and categorize modelling work. “Fashion models are usually booked for shows or by designers. Editorial are more for official print/brand work such as for magazines (print/online), websites, blogs etc. Commercial are more on promoting business services of institutions, government or the private sector (including banking institutions, insurance, services providers etc). Fitness models are for promoting a healthy and active lifestyle, we see them booked by professionals sports/athletes/gym brands or the food & health industry (what is popular now is supplements such as herbal life),” he explained.
Like other countries, where models are paid a leg and an arm, the same should be incorporated in Botswana instead of exploiting them. “By respecting what models do and bring to the table; and you do that by paying them what they deserve on time,” Geofrey said. Geofrey is currently running classes for models called ‘Etiquette Class Models’ which offers runway coaching. It equips models with different types of walks. They also offer social media training and mentoring on running as a model entrepreneur.
Thabiso Tshwenyana is certainly a bright spark. He has been hitting the books, at the same time pushing hustle on radio! Well, you may not know who I’m talking about right now unless I refer to him as ‘Lerapo’, or ‘Bundle of Joy ya Radio’, as he is commonly called by his aficionados on radio.
Lerapo is resolute on taking over the entertainment and broadcasting space, of course wearing many hats as a radio host, content producer and a socialite. Not only that, he is a fresh Real Estate graduate currently functioning as a property analyst.
One may wonder how this young lad (currently 23-years-old) managed to be on radio, at the same time pursuing his Degree in Real Estate. Well, he says it took grit, time management and really doing what one likes. And he is right, because in today’s world anyone can call themselves a presenter. But it takes unparalleled skill, unbreakable determination, and heaps of talent to captivate an audience of millions.
Whether or not you think he’s the best, there’s no arguing that Lerapo is possibly the most prominent young radio presenter to hail from the Botswana. Initially starting his career in 2017, Lerapo earned himself a reputation as ‘Bundle of Joy ya Radio’ by consistently pushing the boundaries of what could be said and done.
His shows consists of outrageous humor and youthful content that’s shocking the radio establishment, and taking young people to cloud 9. The show is called The Youth Café on Duma FM, and airs every Saturday between 2PM and 2PM, broadcasting in vernacular.
When sharing with Weekendlife his startling life on radio and how he will be turning it down this year, he says the journey started back in 2017 at RB2 where he hosted a 30-minute feature. “I am definitely a go-getter. I love radio and this has been my childhood dream! I held onto this dream and survived against all odds. I am happy to be on radio because after all the knockings, snubs and distressing coercions, I persisted nonetheless. Sometimes it was just a matter of being at the right place at the right time.”
Before joining Duma FM in 2019, he was a content producer at yet another youthful urban radio station Yarona FM. At the age of 23-years old, Lerapo has worked at three radio stations, both government and private urban stations. Remarkable! For someone aspiring to be on radio, I can confidently say he is the pluq for inspiration and familiarity.
He continued to dish more on what radio really needs, saying “Taking time to perfect the craft, being open to learn from others and just digging down on books and the internet on how radio works did magic to me. It became easier to comprehend fully what I needed and how to go about getting it.”
Being a radio presenter means having a whole team prior to going on air. This means having a show prep, and reflecting on how the show went down with your producers or programs manager. Programs manager handles the business of the radio station and leave the voice and personality to the presenter.
Presenters have to follow rules of the programs manager even if they may not see eye-to-eye. They may prefer to play safe and repeat music even though sometimes a presenter prefers to take a risk and make changes to the music. Nevertheless, the success of the radio station lies in programs manager’s hands.
“After a show I usually have a reflection on how it went then I plan for the next show. On Tuesdays I have what we call an ‘air check’ with either the programs manager or his assistant to identify hiccups on the previous show and see how best to work on them to have a great delivery on the next show. Since I produce my own show, I give them a preliminary show prep. Once approved, I start contacting guests to be featured on the show and later share the final show prep a day before the show airs with the bosses.”
Still on his show, he does live reads. These are paid adverts that he discusses with the marketing department prior to his show going live. Well, as for a sizzling playlist, the music compiler knows how to serve him right.
He says a great radio hosts listens, reads and makes a show about the listener. ‘A common mistake we make as radio hosts is that we make the show about us and tend to feel that we know more than the listener. We also ought to respect the listener, these are our clients after all. Radio hosts should also refrain from relying on social media for content, most of it is fake and unverified by relevant authorities.”