The role of international aid in achieving Botswana’s economic and social transformation shrunk when Botswana was declared an upper middle income country.
Some local charity organisations that were dependent on donor funding collapsed, while those that remained in existence were forced to reinvent themselves, coming up with effective fundraising initiatives, and seeking the hand of corporate companies where necessary. Despite the admirable efforts put in by non-governmental organisations to be financially independent, the needs of the disadvantaged are barely met, hence no fundamental social changes are witnessed in the country.
To this end, the Rotary Club of Gaborone (RCG) has called on all foreigners living in Botswana to do more for Botswana’s development in order to motivate social transformation among the citizenry, regardless of the constant pressure to come up with creative ways to solicit funds. “Over the years, RCG has successfully organised charity walks, golf days and other fund-raising activities but we have become a victim of our own success in that other charitable organisations that have a need to raise funds have followed some of our examples.
So there is a constant need to find other fund-raising events,” said Alan Golding, Services Committee Chairperson of the Rotary Club of Gaborone. In order to continue helping the needy with a provision of blankets, wheelchairs, and malaria eradication mosquito nets among other efforts, RCG last year came up with yet another unique fundraising project. In partnership with the Wesbank Botswana International Airshow, RCG initiated the idea to offer parking to attendees of the Airshow at a small price of P30 per car. The 2017 inaugural Matsieng Airshow Rotary Car Park raised P35 000 for the club.
“The event was born out of my visit to the Rotary Club in my home town of Clacton on Sea in United Kingdom where one of their major fund-raising events is car parking for an Air Show. Coincidentally on my return to Botswana in 2017 the Matsieng Airshow was starting to be advertised for that year and the organisers kindly allowed us to take over the car parking in an area immediately opposite the entrance to the show,” shares Golding.
Following the go ahead from their Matsieng Airshow partners, the President of RCG, Tebogo George ensured that Rotarians demarcated roads and parking blocks. They had a team of parking ticket sales persons and parking Marshalls to direct vehicles and achieve parking in an orderly manner. This allowed attendees to park; walk the minimal distance and most importantly leave when they wanted to without being blocked in by other vehicles.
“This year we are pleased to be working with the Matsieng Airshow organisers again and we want to accommodate up to 1200 vehicles in the space provided and hopefully raise even more funds. Last year’s funds were used to purchase wheelchairs. This year the money will go into other charitable projects,” he says, looking forward to the event scheduled for tomorrow (May 26, 2018).
The establishment of the Wesbank Botswana International Airshow itself was encouraged by the need to fundraise for charity. Seven years ago, the founding members were approached by Motswedi Rehabilitation Centre for the handicapped. The centre wanted De Wet Drilling to offer it financial assistance that would go towards caring for the 100 children they look after. The request for help in turn inspired De Wet Drilling to establish the Botswana International Airshow, a project that would help them raise funds to donate to Motswedi.
“The MFC originally initiated the Airshow to raise funds for this worthy organisation, and it grew to also help other worthy causes over the last few years such as the Sir Ketumile Masire Foundation, Mochudi Fire Brigate and the Lady Khama Charitable Trust,” says Riaan van Vuuren, the Chairperson of the Matsieng Flying Club (MFC) Committee.
To date, the MFC offers support to organisations that focus on helping the less fortunate, with a particular focus on vulnerable women and children. Funds are given to organisations that can demonstrate good governance and financial discipline in their support of the disadvantaged. “We all do this job for free, none of us are paid. All proceeds after accounting for all costs of presenting the event are donated.
Every year we start the show with a zero budget, but we have had support from WesBank, Puma and this year Botswana Tourism Organisation came on board,” he said. MFC consists of 80 percent local membership and 20 percent expatriates. “The show is now attracting foreign investors and tourists. We encourage expatriates coming in to also give to charity,” he added.
Other expatriates that have stepped up for Botswana are the Chinese. Miles Nan, a Former Rotary Member, and current Chairperson of the Charity Association of Chinese in Botswana (CACB), who has been living in Botswana for over two decades, has thus far been involved with charitable initiatives ranging from the Chinese Charity Care Centre (CCCC) in Naledi and SOS Children’s Village, as well as the Warm Winter initiative that donates blankets to the needy through the Office of the President. He has also helped avail scholarships for locals to study in China.
“I have been living in Botswana for many years so I am familiar with the struggles. If all individual foreigners contributed something little towards charitable efforts, combined, our contributions would translate to one major aid. Foreigners should not keep quiet, they should not be bystanders,” said Miles.
The CACB was founded in 2012. To date, given the combined efforts of the cross country team, the association has also rendered financial support to Botswana Workcamps Association’s horticulture agricultural projects, and facilitated agricultural skills transfer to them. The organisation has also donated BWP175 000 to The Eagle Trust with the motive to empower young people with disabilities through a life skill project.
In 2014 the association went out of its way to not only implement charity projects that target the youth and adults, but catered for children. Targeting children, the project came in the form of a party which aimed at improving exchanges between children of the two countries, helping them know and understand each other’s culture, while sowing goodwill seeds among children. Parents from the Chinese community together with their children donated clothes, schoolbags, stationery and food among others to the children from the local community.
In this regard Miles Nan urges those with nothing to give, to volunteer instead. Free consultancy, knowledge sharing and hands on skills transfer, he says are a must do. His other efforts to contribute to the country’s social transformation are made through the Global Max Media Group, the Oriental Post Newspaper and the recently launched Africa-China Culture and Arts Exchange Society.
This past week seemed like a time travel back to the early 1970’s where women were judged and stoned for what they wear, what they should wear, and whose attention their dress code will grab.
Every Tom, Dick and Harry gave their two cents on the matter, unnecessarily so. Its disheartening that in 2021 a woman is dictated to about what she should wear.
The genesis of the whole saga was because of a certified life coach and personal trainer, Agang Atlholang, derided as an example of an anti-feminist.
Atlholang updated a controversial post on her Facebook page where she seemingly attacked and dragged some women for wearing appealing clothes that leave little to the imagination.
The personal coach further went on to highlight that she could be fully clothed and be able to attract and steal some of these women’s lovers. Audacious of her to assume but more disheartening that her wardrobe is subliminally dictated by men.
It should be noted that this wasn’t her first controversial post where she has threatened or promised to take other women’s men, it may not be her last either but this post however did get on a lot of women’s last nerve.
“A woman’s sexuality is so much more than her thighs, (beep) and breasts. It’s your aura, confidence, seduction and the way you carry yourself, watching everything rock and roll in silence. I know who I am, I am a boss lady. I can still get your man without showing skin,” said Atlholang.
It is hard to place the fitness coach, is she pro-feminism or anti-feminism? Because one minute she would say something that makes sense and that almost everyone can relate to and other times she barks threats like a toothless bulldog.
She was not wrong to publicly and indirectly affirm that she doesn’t wear revealing outfits, but for her to be coming at those who do so was entirely out of line. How a woman presents herself to the world has a very little to do with a man’s preference.
Any personal liberation of what one chooses to clothe their own body is clouded by the misogynistic backdrop of the world we live in. In all cases, a woman’s body is assumed to be someone else’s before is it her own.
If she takes off her clothes, it is seen to be a sign of her insecurity and need for validation, rather than feeling comfortable with herself. Once she’s stripped, that’s all she is. This is the insidious pressures of misogyny that we all have a duty to attack and put in the past where it belongs.
WeekendLife reached out to Atlholang but her phone went unanswered. She did not respond to a questionnaire sent to her on Wednesday. Celebrated feminist Resego Kgosidintsi says there should be no expectations on what a woman does with her body. Some women are thick and curvy, while some are slim and petite, all body types are beautiful.
Kgosidintsi uploaded two pictures on her Facebook page in which she compared herself. In one picture she was only in a bikini on the beach whereas in the other picture she was wearing formal attire. She went on to say;
“I am the woman in both pictures, my worth did not decrease on picture 2 because I revealed almost all of my skin and neither is my worth on a 100 on picture 1 because my skirt is below the knee.
I have about 7 tattoos on my entire body and that still does not make me less of a woman. I drink and smoke cigarettes too and that doesn’t mean the woman in church who doesn’t smoke or drink more woman than me. Can we respect people’s choices, can we respect women.” Feminist, media personality and socialite, Oratile Kefitlhile shares the same sentiments as Kgosidintsi.
‘‘Feminism is subject, if I feel as a woman that when I’m fully dressed I’m celebrating my femininity, so be it. If another woman feels they are embracing their femininity more with their thighs out, that’s perfectly fine still. Let them be.
We have been preaching this revolution for a very long time of women being allowed to wear what they want, and being allowed to embrace their womanhood in the way that speaks to them, so I feel at this point we should not be having these debates,” Kefitlhile told WeekendLife on Tuesday.
Controversial poet, artist and businesswoman, Berry Heart is of the belief that women are envious towards each other. She argues that celebrating femininity has no boundaries subsequently making no one woman superior.
Quizzed on what makes women fight over small issues such as what they wear, she says “Batswana women are broken so much that we don’t want to see another woman succeeding on anything. We desire to make them dejected.”
You will know a tree by its fruits, the same way you will know a music producer by their works.
Top music producers in the country have set themselves apart through the quality music they produce and reap the results of international recognition from as far as the United States of America.
These producers are behind every star performer, listening and analyzing each and every note. When artists perform a vocal swell, rising to an octave that sounds like it’s going to shatter voice box, it’s easy to forget that someone was on the other side of the glass asking questions like, “Can you hit that note every night, or will it hurt too badly? Maybe we should lower the octave to save your voice?”
Producers make hundreds of decisions in each song, not to mention the push and pull relationships they have with talented performers.These relationships can make or break careers. Some of your favorite bands and artists wouldn’t be so memorable without a great producer helping to guide their distinct voices.
Kagiso Kenosi, or better known as Fella in the entertainment industry, is only 31-years old but he has already left his imprint in the music industry. The young chap, originally from Palapye, is not in the industry to add numbers, but to do his magic working behind the scenes producing hit song after hit song.
When most producers went to school to produce the hits that we hear today, Fella’s foundation and passion for producing came from being active in church.
“I grew up in a catholic orientated family where music is the essence of our religion. The love for music in its entirety emerged from enjoying singing at church and blossomed over the years as I grew up, being exposed to the internet and software’s such as fruity loops.”
Fella says he then learnt how to make beats and proceeded with vocal processing so besides the love for music, he had an amazing group of people who helped him reach his life dream; being the best in music production. The sky was the limit for Fella.
Unfortunately for so many music producers locally, this kind of hustle is basically about being famous. Some of them bite off more than they can chew just for a quick buck that doesn’t even go a long away for them. At the end of it all, these fly by night prima-donnas end up cutting corners and producing subpar records which eventually leads to a premature death for their careers.
Fella’s advice is that fellow colleagues should be patient and continue learning the craft, even if it means taking online tutorials. “Even though I’m still learning too, for I believe music is a fast infinite universe where no one can never say they know it all, I think believing in what one does, the level of creativity and being able to stand alone can do magic.
We living in an era where people go through a lot, so it is imperative for a music producer to be able to relate to those kind of situations. This takes only the right instrumentals, which will compliment emotions of an artist.”
The most asked question outside the music industry is; who chooses the instruments for a song, is it the artist or the producer? Fella gave his take;
“I make instrumentals and keep them until an artist comes to work on a song. That’s when I advise on whether I think the concept they chose goes hand in hand with the instrumentals. We will then look for a more appropriate song.
In some cases, artists can come and we record vocals without an instrumental and then get to make a beat on top of the recorded vocal which in that case guides me to make a relevant instrumental,” he said in an exclusive interview with WeekendLife on Wednesday.
Digging more into finding the difference between a producer and an engineer, Fella clarified that there is not much difference. There is actually a thin line between the two even though an engineer does more than a producer when dishing out a song.
“We use the word production to credit people who only make beats. Engineers are people who record vocals, clean them, do the mixing and master the song preparing the record for radio. I must say an engineer, does the critical components of a song.”
As young as he is, Fella has been through thick and thin with young artists. It has been a roller-coaster of emotions, because, frankly some of these fledging artists are way too complicated to work with. Fella admits that he too has flaws but c’est la vie, you can’t make an omelette without breaking some eggs.
“It’s always a blessing and quite exciting because these different people of different energies and mind-sets and creativity will humble you. It’s a chastening experience and also accords me with experience to manoeuvre and adjust to people with different characters.
So truly, it has helped me grow as a person, and a producer.”
Botswana Musicians Union (BOMU) is known for its bad reputation that has been getting worse over the years. There has been a lot of chinwag, squabbles and the organization literally lost touch. It has gotten so bad that stakeholders pulled out, and members were left with no choice but to face the music alone.
Just when you’d think the waters are calm, the new Executive Committee awarded a fledgling company, Total Music Group, to handle the 2021 music awards. This move was seen as a biased decision that got BOMU members bent out of shape.
However, BOMU Secretary General, Rasina Rasina told Weekendlife that the Executive Committee that it has many irons in the fire. He indeed admitted without reluctance that, BOMU has been clouded by hubbub.
“We pledged when the new administration took over that it would begin with cleaning our own house. We have built structures as we had promised and we are glad that they are fully functional. One of those is the disciplinary committee.”
“BOMU has for a long time appeared to be lacking discipline and proper laid down procedures. This has led to the organization losing out big in its endeavour to serve its members and the entire music fraternity. The National Executive Committee, chapter committees and sub-committees have committed to ensuring that non proper governance and accountability shall take centre stage and this is all that is happening,” Rasina told Weekendlifeon Tuesday.
Rebuilding and rebranding a disintegrated intuition such as BOMU is not just a walk in the park, it needs concerted efforts and team work to actually reach that goal. A stitch in time saves nine, but as for BOMU, the entire union failed to address its dares a long time ago, but the union says everything is on track in recuperating public trust and fixing the mess created then.
BOMU Research and Policy Committee is hard finalizing a new code of conduct which will contribute significantly to how members and leadership conduct themselves and relate with each other for the furtherance of BOMU’s mandate, Weekendlifehas been reliably informed.
“We are doing everything according to our constitution, logic and reason. We advise our members that they should point out where the constitution has been breached and that they are at liberty to follow due process and report any misconduct to the disciplinary committee,” said Rasina.
This is following the suspension of some executive committee members and BOMU subscribed members for questioning the integrity in awarding the music awards tender. Some members, told Weekendlife that they will seek legal advice on the matter.
“We do have members who have already appeared before the disciplinary committee on various charges and decisions are yet to be taken. We also have members who are yet to appear before the committee for various complaints levelled against them. Current suspensions are related to various complaints and offences.”
With regard to appointing Total Music Group, BOMU National Executive Committee says it used Article 9.3.19 of its constitution. The article says; “The National Executive Committee of BOMU shall have the authority to enter into legally binding contracts on behalf of the Union.’’
Rasina says the leadership needed a company to manage, host and sell the BOMU awards for five years consecutively so as to attain stability and refurbish the brand image of both the music awards and the organization. “Without any money at our disposal, we debated on the best model and agreed that we should engage a company that also has the capacity to mobilize resources. We used our discretion and decided on a direct appointment model which is perfectly legal and constitutional.”