Itumeleng Motswetla grew up in Old Naledi, an area that has been considered notorious and with diverse lifestyles for the past years, something of an experience that has marked her as an artist.
Her work points to her concern with modernity’s life and cultural expressions. Her works can be recognized by her signature expressionistic style, figures with large heads and abstract paintings of faces. She is the most prominent young modern artist, currently dominating the contemporary art scene in the country. Her company Arts with Itu is famously known for turning banal objects into fine arts by utilizing concepts like commerce. In doing so, she holds up a mirror to society and reveals it in all its grotesque contradictions.
Her fascination with these subjects is also reflected in the commercial materials she uses. Whether you hate or love her, she succeeded in taking the art world by storm and securing a permanent spot for herself as one of the youngest most popular artists in the country. In an interview with WeekendLife, she said her abstract paintings of faces and bodies, she plays with human form, saying her paintings are graced with absurd, cut-up, often carnivalesque characters. In her own words, she is doing this for people, she gives them what they want. ‘’People want pictures, and I am definitely going to give them pictures’’ she said
A 20-year-old initially from Palapye noted that she started art as a profession in 2018, and has since capitalized on it as a source of living, and making ends meet. She said she works with anything she can draw creativity from, ranging from African print, crocheting or threads even. Born without a silver spoon, she drew an inspiration from her single parent, the mother. ‘’My mother raised me single handily, it was not an easy task.
As strong as she is, she made it a point that I have all that I needed. She took me to school, and basically provided all basic needed I needed for survival. In executing all of these things, it was not easy as someone may presume, she worked hard and inspired me to do the same. I grew to appreciate her and aspired to be exactly like her. She nurtured my talent and made me the artist I am today,’’ she said.
‘’Most of my art works express that. I am all about women empowerment, and I’m always open to collaborate and support other young women. I strive to break stereotypes associated with women, and prove to the world that women can achieve what they have been restricted to do because of cultural beliefs and norms in the past. A woman is capable of doing anything and succeed in it, women are determined and I have lived to witness that from my mother.’’
She stressed that her intimate, on-location approach and sensitivity to her subjects are what make her contemporary paintings style so moving and powerful when compared to works by other artists. She uses brushworks, rich colors and precise forms to create extremely realistic pictures, and has incorporated cropped framing, an unusual use of perspective, and the use of colors to strengthen emotion.
‘’I transform our expectations of what is real and what is not. When someone describes something as ‘’surreal’’, the chances are good that an image by me pops into his or her head. My works is all about twisted curves rooted in the ideas of symbolic art and is constantly concentrated on the beguiling satisfaction of color and tone.’’
However, as a young female artist, she is clouded by lot of challenges. ‘’I am being looked down on for being a female artist in such a male dominated industry. I’m often told I am just wasting time and I should be doing something which is of great significance to me, but with the passion I have for art I do not see myself ceasing doing what I love for something else. Art is actually what is important to me and I won’t trade it for anything else,’’ she confidently explained.
Further, she said at times she misses opportunities and face rejection probably because of gender and lot of people sidelining her and undermining her capabilities. ‘’I am capable of producing great quality art, it is only that people are too quick to judge and have their own assumptions. I challenge them to try me, I am willing to show them fine art they have never seen before. If we can only do away with condemning before we see the actual product, I have that assurance that we can develop the art industry in Botswana.’’
Remaining relevant and consistent has earned Itumeleng trust from her customers. She stressed that she makes it a point to produce master pieces after another. ‘’I make sure that my next art work is better than the previous one. I invest a lot of resources and effort into my art, it is a craft I ought to take seriously as it put food on my table. That way, when selling to people they are able to realize the true value of an art. And if that is the case, selling my artworks becomes easy, hence being able to penetrate the market,’’ she highlighted.
She passed gratitude to local art galleries that have put efforts together to support the local art industry, saying that the annual art competitions are helpful in improving one’s creativity and they gain recognition. ‘’These competitions afford us an opportunity to showcase our artworks. People from different countries buy out crafts, they get to appreciate what we do and as it builds confidence in us to keep doing more. The support I receive from Batswana has always been amazing, and it’s really appreciated.
Even though some do not understand this kind of art, hopefully in the long run they will get to see it beyond just a painting and it will be possible for artists to make a living out of art with ease. Itumeleng said collaboration with other artists is imperative in the development of the industry. She said she is willing to assist female artists mostly as she aspires to see them succeed out of artistry.
‘’With unemployment being high most particularly amongst youth, I believe we can make a living out of arts. It is time we live from what we can do with our hands. The arts have the ability to transform our lives, and without relying on government alone to create employment, we can efficiently do so,’’ she concluded.
Thabiso Tshwenyana is certainly a bright spark. He has been hitting the books, at the same time pushing hustle on radio! Well, you may not know who I’m talking about right now unless I refer to him as ‘Lerapo’, or ‘Bundle of Joy ya Radio’, as he is commonly called by his aficionados on radio.
Lerapo is resolute on taking over the entertainment and broadcasting space, of course wearing many hats as a radio host, content producer and a socialite. Not only that, he is a fresh Real Estate graduate currently functioning as a property analyst.
One may wonder how this young lad (currently 23-years-old) managed to be on radio, at the same time pursuing his Degree in Real Estate. Well, he says it took grit, time management and really doing what one likes. And he is right, because in today’s world anyone can call themselves a presenter. But it takes unparalleled skill, unbreakable determination, and heaps of talent to captivate an audience of millions.
Whether or not you think he’s the best, there’s no arguing that Lerapo is possibly the most prominent young radio presenter to hail from the Botswana. Initially starting his career in 2017, Lerapo earned himself a reputation as ‘Bundle of Joy ya Radio’ by consistently pushing the boundaries of what could be said and done.
His shows consists of outrageous humor and youthful content that’s shocking the radio establishment, and taking young people to cloud 9. The show is called The Youth Café on Duma FM, and airs every Saturday between 2PM and 2PM, broadcasting in vernacular.
When sharing with Weekendlife his startling life on radio and how he will be turning it down this year, he says the journey started back in 2017 at RB2 where he hosted a 30-minute feature. “I am definitely a go-getter. I love radio and this has been my childhood dream! I held onto this dream and survived against all odds. I am happy to be on radio because after all the knockings, snubs and distressing coercions, I persisted nonetheless. Sometimes it was just a matter of being at the right place at the right time.”
Before joining Duma FM in 2019, he was a content producer at yet another youthful urban radio station Yarona FM. At the age of 23-years old, Lerapo has worked at three radio stations, both government and private urban stations. Remarkable! For someone aspiring to be on radio, I can confidently say he is the pluq for inspiration and familiarity.
He continued to dish more on what radio really needs, saying “Taking time to perfect the craft, being open to learn from others and just digging down on books and the internet on how radio works did magic to me. It became easier to comprehend fully what I needed and how to go about getting it.”
Being a radio presenter means having a whole team prior to going on air. This means having a show prep, and reflecting on how the show went down with your producers or programs manager. Programs manager handles the business of the radio station and leave the voice and personality to the presenter.
Presenters have to follow rules of the programs manager even if they may not see eye-to-eye. They may prefer to play safe and repeat music even though sometimes a presenter prefers to take a risk and make changes to the music. Nevertheless, the success of the radio station lies in programs manager’s hands.
“After a show I usually have a reflection on how it went then I plan for the next show. On Tuesdays I have what we call an ‘air check’ with either the programs manager or his assistant to identify hiccups on the previous show and see how best to work on them to have a great delivery on the next show. Since I produce my own show, I give them a preliminary show prep. Once approved, I start contacting guests to be featured on the show and later share the final show prep a day before the show airs with the bosses.”
Still on his show, he does live reads. These are paid adverts that he discusses with the marketing department prior to his show going live. Well, as for a sizzling playlist, the music compiler knows how to serve him right.
He says a great radio hosts listens, reads and makes a show about the listener. ‘A common mistake we make as radio hosts is that we make the show about us and tend to feel that we know more than the listener. We also ought to respect the listener, these are our clients after all. Radio hosts should also refrain from relying on social media for content, most of it is fake and unverified by relevant authorities.”
December 2019 was the time a case of the contagious Corona-virus was first identified in Wuhan, China. The world has never been the same again, as the deadly virus swept across countries and killed many people.
Symptoms of COVID-19 are variable, but often include fever, cough, fatigue, breathing difficulties, and loss of smell and taste. African countries felt the heat too, as the first case reached the continent through travelers returning from hotspots in Asia, Europe and the United States. The first COVID-19 case was recorded in Egypt on 14 February. Since then a total of 52 countries have reported cases.
Most African countries took swift action early on, and it is largely thanks to these efforts to limit gatherings and strengthen public health capacities. Governments introduced back-to-back lockdowns, curfews and the compulsory wearing of masks in public places.
Some countries suspended forthwith cross-border trading, save for commercial and transit cargo related to essential and critical services. Air transportation, tourism and social events were at one point shelved to mitigate the spread of this virus. For many countries, this mechanism helped reduce infections, however, numbers don’t lie. COVID-19 in Africa has since taken a drastic turn, with numbers now surging at an alarming rate.
The neighboring South Africa has from the onset, been the only country in Africa with the highest number of COVID-19 cases. As of Monday January 4th 2021, there were over 1 Million (1 113 349) infections after the country recorded 12 601 new cases post festive season.
The number of Corona-virus deaths in South Africa has now surpassed the 30 000 mark, the highest in the entire continent. Gauteng province continue to record most cases of the COVID-19, now leading with over 301 thousand cases.
Reports from South Africa say mortuaries have ran out of space as COVID-19 bodies’ pile up. Funeral parlor owners say they are under immense pressure and are battling to cope with the high number of burials they have to perform due to deaths from the contagious Corona-virus.
The country is currently under level 3 lockdown. President Cyril Ramaphosa announced during an address that there will be a nationwide curfew from 9PM to 6AM, subsequently banning the sale of alcohol from retail outlets and the on-site consumption.
In Botswana, President Mokgweetsi Masisi extended a curfew until January 31st 2021. In his address to the nation this week, Minister of Health and Wellness Dr Edwin Dikoloti said there shall be no movement of people between 8PM and 4AM until month end while the Presidential COVID-19 Task Force team continue to assess the complexity of the virus.
Botswana currently have over 13 thousand (13 613) confirmed cases of the COVID-19 virus, with a significant number of recoveries that stood at over 12 thousand (12 481), as of Monday this week. The Corona-virus claimed over 45 Batswana lives. There were 563 new cases confirmed on Monday.
According to COVID-19 Case Report, there are 553 859 total tests conducted, 407 055 of which were local tests, while 1827 were transferred out. Zimbabwe has 15,829 confirmed Corona-virus cases and 384 deaths as of January 5, 2021. In response to increased COVID infections, the government instituted a new nationwide lockdown on January 5. Curfew is in effect from 6PM to 6AM. International air travel is still permitted, subject to testing requirements, while international land travel and inter-provincial/inter-city travel are largely prohibited.
As of December 1, the government of Zimbabwe requires all new arrivals to the country to present a negative COVID-19 test result issued within the previous 48 hours. The government provides no option for testing upon arrival for such travelers.
In the Eastern Mediterranean Region, COVID-19 has found its adventure playground. Tunisia and Egypt are two countries with most cases and deaths recorded, with 139 140 and 138 062 cases. From both countries combined, there are over 10 thousand deaths related to COVID-19.
My Star Botswana has consistently been keeping people glued to their screens every Sunday evening to watch their favourites battle it out for the cash price. This has been the case since the show started back in 2007.
The winners of the controversial competition are usually taken to the United Kingdom for sightseeing and benchmarking.
The whole purpose of My Star was to unearth raw talents and flair from the grass-roots. The show Producer and Director, Keabetswe ‘Master Dee’ Sesinyi, together with his team would scout talent from across the country, including rural areas.
Well, things took turns and twists this time around, as the show failed to attract the much desired attention. Many loyal viewers were not aware that the show had started and to my surprise, the grand finale was way too shallow for a show of its magnitude. Even the show producer didn’t like the turn out. My Star 2020 totally lost touch.
Master Dee made no bones about lack of sponsorship harming the plan to throw an over-the-top grand finale. He says despite him being on his feet every time trying to source sponsors, he ran around in circles and was left out in the cold many a-times. One may wonder how tables turned so drastically.
This is extremely unscrupulous for a protuberant talent show. My Star was considered an A-list show, but more than ten years now and the show is still held at Gaborone Technical College hall, it’s scandalous that the venue cannot be upgraded to match the talent and prestige they are looking for.
“I thank you so supporting the arts. I know everyone came here with a goal to see his or her contestant win. Today we doing things in a different way. It won’t be the usual My Star show that we know because of the COVID-19. The arts have been the hardest hit by this pandemic. The fact remains arts are the foundation of all jobs,” said Master Dee.
He hit the nail on the head. This sector has seen dust this pandemic year. It was the first to be shut, and to date, it has been opened in a phased manner. Well, for social events that mount up larger crowds, the story has not changed. This is because the virus spreads easily when many people get together without health protocols being adhered to.
Master Dee, however, expressed discontentment at how My Star ran without a single sponsor. “I personally know what it is to be artistic, and I understand the passion that each contestant has. But do people understand this passion like we do? It is very sad that we are here to see the reality TV show that comes on the national TV channel every Sunday without the main sponsor. Very sad!”
He gave the small team he was working with a pat on the back for helping him see the light at the end of the tunnel.
“These guys make me see the need to try further. When push comes to shove, they assure me that someone will realize the potential of this project. Through this COVID-19, we have sent more than 28 Batswana youth to Universities. And who doesn’t see that>? What is it going to take for people to understand that this project is not about me, and that it is for Batswana?”
“Sometimes when I speak like this I feel like I could shed a tear. But it is painful sometimes when people don’t see what you see. When I go around looking for sponsors, they say I want to enrich myself. I mean who doesn’t want to be rich? It’s just a fuss,” he said.
Nonetheless, Master Dee showed gratitude to the Youth Ministry for making it possible for young people to be admitted at the Universities. I believe education is key, so I had to fight to see them being admitted in educational institutions, he told few guests at the grand finale.
“I will be naïve if I cannot actually echo the sentiments of government assisting in this manner going forward. But enough can be done. We need corporate companies’ to stand up and not just take from us.”
Meanwhile, Neelo Gopolang was crowned the winner of My Star Season 14. She walked away with P100 000 after garnering herself over 70 000 votes from the general public. First runner up, and people’s favourite Queen Garekwe managed to secure only 2000 plus votes, earning P10 000 from the competition. Justice Nyathi was announced as the second runner up, going home with P10 000 as well.