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Over 5 Million children aged under 5 years died in 2017-WHO

World Health Organization’ s 2019 Statistics report says substantial progress has been made in reducing child deaths since 2000, with the global under-5 mortality rate dropping by 49%, from 77 deaths per 1000 live births in 2000 to 39 in 2017. This is equivalent of 1 in 14 children dying before reaching age 5 in 2017, compared with 1 in 13 dying before age 5 in 2000. 

An estimated 5.4 Million children aged less than 5 years died in 2017, of whom 2.5 Million were female and 2.9 Million male. Of these deaths, 2.5 Million occurred during the first 28 days of life. Globally, death rates in the first month of life fell by 41% from 31 per 1000 live births in 2000 to 18 in 2017, a smaller reduction in mortality compared with the 54% reduction in mortality for children aged 1.59 months. Under-5 mortality rates are highest in the WHO African region and in low-income countries, where one child dies out of 14 born. More than half of under-5 child deaths are due to diseases that are preventable and treatable through simple, affordable interventions. The leading causes of death in young children over 28 days of age remain pneumonia, diarrhoea, birth defects and malaria. Rates of death from all conditions are higher in low-income countries, but children in low-income countries are more than 100 times more likely to die from infectious diseases than those in high-income countries.

 

Children who die within the first 28 days of birth suffer from conditions and diseases associated with lack of quality care at birth, or skilled care and treatment immediately after birth and in the first days of life. Preterm birth, intrapartum-related complications, infections and birth defects caused the most neonatal deaths in 2017.  Most new born deaths take place in low and middle-income countries, and two regions accounted for almost 70% of new-born deaths in 2017- the WHO Africa Region and South-East Asia region. WHO says it is possible to improve the survival and health of new-borns by achieving high coverage of quality antenatal care, skilled care at birth, postnatal care for mother and baby, and care of small and sick new-borns. In 2017, male children were 11% more likely to die before the age of 5 years. Boys have a higher probability of dying before reaching the age of 5 years than girls for biological reasons, including less lung maturity at birth and less resistance to infectious diseases. New-born boys often weigh more at birth, but have higher perinatal mortality and more frequent congenital malformations. Immunoregulatory genes linked to the X-chromosome confer greater resistance to infectious diseases on girls, who have two X-chromosomes compared with boys, who have one X-chromosome.

The report further said because boys have a higher biological risk of death than girls, as assessment of gender bias in health outcomes cannot be based on equality of the under-5 mortality rate. Rather, mortality rates close to unity are indicative of female disadvantage. The risk of dying before the age of 5 years is higher in boys in all income groups set by the World Bank and in all regions. However, in the WHO South East Asia Region, the risk is almost equal, indicating high rate of avoidable mortality among females under the age of 5 years. Nutrition-related factors contributed to about 45% of deaths in children under the age of 5 years. Malnourished children, particularly those with severe acute malnutrition, have a higher risk of death from common childhood illnesses such as diarrhoea, pneumonia and malaria. In most countries, a higher proportion of boys are malnourished than girls in the age group of 0-5 years. 

 

Sex differences in nutritional status have been attributed to biological differences in morbidity between boys and girls in early life. In addition, boys grow faster during infancy, resulting in greater energy needs. Use of health care services can contribute to differences in mortality rates between boys and girls. However, most studies find that both girls and boys are equally likely to be taken for care when ill, although a bias is observed in some locations.  In a United Nation’s Children Fund review, a higher proportion of boys were taken to treatment centres for pneumonia in six countries out of 67 with data, whereas in one of those 67 countries. Hospitalizations for pneumonia, diarrhoea and fever were found to be higher in boys than girls, whereas case fatality rates were higher in girls than in boys, perhaps as a result of greater delays in care –seeking or poorer quality of care. Gender-based discrimination in health care affecting girls is reported mainly from South Asia and China, with sporadic reports from Africa and South America. WHO stressed that vaccines are available for some of the most deadly childhood diseases, such as measles, polio, diphtheria, tetanus, and pertussis, pneumonia to Haemophilus influenza type B and Streptococcus pneumonia and diarrhoea due to rotavirus. Vaccination rates are similar between boys and girls. Use of pneumococcal conjugate and rotavirus vaccines is lagging, especially in middle-income countries without donor support. Vaccination against both these diseases has the potential to substantially reduce deaths of children aged less than 5 years, because pneumonia and diarrhoea are the leading causes of death in this age group.

 

Globally, countries with a low under-5 mortality rate have high male female ratio of 31; 32, partly because congenital diseases predominate when mortality is low. Countries with a high under-5 mortality rate have low male female mortality ratios. Both high under-5 mortality rate and low male female ratios are associated with low socioeconomic status and gender inequality. Progress in reducing the under-5 in the male female since 2000 was accompanied by an increase in the M/F mortality ratio from 1.06 in 2000 to 1.11 in 2017, indicating that the decline in the female under-5 mortality rate was faster than that for males. Reductions in the under-5 mortality rate are accompanied not only by higher M/F ratios but also by reduction in fertility. Smaller families reduce the chances of a couple having a child of any givens sex. In societies with a preference for male children, reductions in the under-5 mortality rate have been accompanied by another type of female disadvantage- that is, a disadvantage in nasality- through selective abortion of female foetuses.  Increases in the M/F sex ratio at birth have been seen in parts of East Asia, South Asia and the South Caucuses. Male female ratios at birth have been seen to be higher if a couple’s previous children have been female; also, multiparous women are more likely to have prenatal knowledge of the sex of their foetus, resulting in sex selection and more male births than in premiparous women.

 

A number of actions can be envisaged to address female disadvantage in populations with an atypically high female under-5 mortality rate, including policies to discourage sex-selective abortions, financial incentives to have female children, and policies that address the marginalized status of women or the provision of social protection in old age. The development of policies that will improve child health morbidity and mortality, and more qualitative research that can reveal the harmful gender norms and expectations that result in discriminatory treatment of boys and girls. Female disadvantage is of widespread concern and must be tackled. In addition, the WHO added that the specific needs of boys should be addressed. ‘’boys experience higher rates of mortality than girls in most of the world, and as the under-5 mortality rate falls globally, the M/F mortality ratio is increasing. In countries that have achieved large reductions in the under-5 mortality rate, additional actions may need to be taken to improve health outcomes for boys, to ensure continued progress towards SDG Target 3.2.

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WeekendLife

MOTSETSEREPA vents in song

25th October 2021
William-Last

William Last KRM was offended after he failed to go home with a single award from the Yarona FM Music Awards (YAMAs), to the extent that he put all his frustrations into his new song. The new song, dubbed Heavenly Sent, features songbird Mpho Sebina, and it is already making rotations on social media and radio stations.

On YouTube, Motsetserepa uploaded the song on his channel that has precisely 217 000 subscribers. Heavenly Sent, the new melody, has over 170 thousand views already. The young comedian-turned musician, Motsetserepa dominated the 7th YAMAs but failed to snatch a single award.
He was nominated for People’s Choice Artist of the Year, Best Male Single, Best Hip-Hop, Best Social Media and Song of the year. He was the most nominated with Han C. The cover of the new single shows that William Last has won a Grammy Award. Grammy Awards are the United States’ biggest music awards, held annually, to recognize achievement in the music industry.

Perhaps William Last is trying to communicate that he is bigger than the YAMAs. The cover says, “William Last won a Grammy. Congratulations.” The introduction of the video starts with Trevor Noah, a South African comedian and television host who lives in the US, introducing the last award category of the night at the Grammy Awards. The category was Best Rap Song, and William Last’s Tinto was nominated alongside Drake, Roddy Ricch, Lil Baby and Da Baby. The winner was Motsetserepa with his hit Tinto.

After standing ovation from American entertainment industry leaders in his acceptance speech, William Last said, “Thank you so much. It is indeed an honour to be here with you guys. I want to celebrate this award with you, but I want to communicate something really important.” However, the crowd laughed instead, and William Last shouted “stop”. His mood changed and became blue, and Mpho Sebina’s melodic voice appeared in the background.

“I have been telling God that everything is going to be all right. Please don’t get so hopeless long as you make sure I survive. Yeah…yeah, been through hell and back, I’m talking stress to a point ke tima phone when people call don’t wanna answer I hear voices inside of my head, ke bona mewa e mabitleng A batla go raba mathata dingaka e kgarakgatshega ekare malwetse (go siame gale) All these people they ain’t scared when they see me mad I might just snap though I ain’t sending threats Kgale ke bua kopa le ntheetse.”

In this chorus line, William Last talks about how he has been suffering to a point where he avoided contact with people at all costs. He says he has been trying to converse. Therefore people should pin their ears back. He also expresses how he has been taken for granted by a circle of folks who perceive him as a mental case. Some people, he writes in the song, don’t have time for him as if he is impractical to them.

“Buisa phuthego oe tsena botoro Baba lopela ka dipono Nna ke bua ba mpona boroko eish…Ba mpona setomo Bare Motsetserepa gare batle o’ dlala we ain’t got time for you dawg I’m just hoping I don’t flop, like a flip flop Know they hoping that I fall, what for?” Motsetserepa has strong faith that he is heaven-sent and an inspiration to the children of many of the people who bring him down. He considers that his haters are influenced by ego.

“Some of your kids they look up to me, they look up to me. They calling me names, they calling me G, bare ke podi. Some of you guys get killed by ego. Why the hell can’t you just be humble? That’s why your life is too stressful. When you see me in the streets, call me Tinto Once said I’m a do it again, did it again I am a man amongst all man. I’m heavenly sent.”

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WeekendLife

Han C wins big at the YAMAs

5th October 2021
Han-C

Once again, Hanceford Magapatona emerged the biggest winner with ease at the 7th Yarona FM Music Awards (YAMAs) this past weekend. Famously known as Han C in the music industry, the 27-year old self-taught singer and songwriter snatched the titles of YAMAs People’s Choice Artist of the Year and Best Male single for his all-time hit ‘Padi padi’. 

Han C did not go home empty-handed as there were good monies for each category, courtesy of First National Bank Botswana, Mascom and Now TV. The two prestigious awards earned him P60 000 and P25 000 each, making him the biggest winner of the night.  After being announced as the winner under the Best Male Single, Han C took to social media to express his serenity about the achievements. He said, “words cannot explain how I feel right now, but all I can say is thank you much to the people who have been showing us love and support.

Special shout out to Yarona FM for giving us this platform to showcase our talents and creativity. I also would love to give a special shout out to all the sponsors for making this happen. We appreciate all of you.” When getting his People’s Choice Artist of the Year award, Han C showed deference to artists nominated with him under this category. Even though they could not go home with the prize, Mahalapye-born acknowledged that they are equally artistic. “Getting a nomination for this award is quite an achievement on its own, mainly because you are nominated alongside brilliant, amazing good artists—a special shout out to my team. We put in the work; I think we should continue doing so.

PREVIOUS AWARDS NOMINATIONS 

Han C’s hard work and dedication have garnered him recognition in the local scenes. And it would look suspicious if he didn’t get an accolade or two. In 2018, he was nominated YAMAs Artist of the Year, Best Male Artist, and Song of the Year (Mafurafura), Best Collabo (Mafurafura) and Best Dance Single (Mafurafura). In 2016, he was nominated for Song of the Year (SediLaaka) and Best Collaboration (SediLaaka). He won Best New Artist in 2016, Artist of the Year (2018) and Best Dance Single 2018.

MOTSETSEREPA LOSES ALL NOMINATIONS

Local comedian-turned musician Bofelo William Molebatsi, known as William KRM Last saw dust at the recently held 7th YAMAs. After being the most nominated artist, William Last did not go home with any of his nominated awards.  He was nominated under: People’s Choice Award of the Year category, won by Han C, Song of the Year taken home by La Tonde and Names, Best Male Single (Han C), Best Hip-hop (snatched by Ozi F Teddy) as well as Best Social Media (Mjamaica).

He, however, took to social media to share the devastating news, which came as a slapping blow right on his face. “Wow! Whenever I think of the huge success of my Amara Willian album, I always cry happy tears. I celebrate and thank God for where he has brought me to with all this big brand success. This is especially through the greatest love from my supporters/fans all over. They are a million followers of my brand and the views that I always get on my daily posts all over my social media platforms. These big numbers scream love and appreciation to me so loud. I appreciate the love and support; God bless.”

OTHER YAMAS 2021 WINNERS

Peoples’ Choice Song of the year was awarded La Tonde and Names for their song ‘Dibulele’. YAMAs 2021 Inductee to the Yarona FM Hall Of Fame was the late Sasa Klaas. Sasa Klaas died in a helicopter crash on March 5th 2021, near Sojwe. She was an all-around musician mostly known for her hip-hop culture.

Producer of the year was snatched by MB on the Beat, while Boipelo Seleke scooped the YAMAs 2021 Icon award. Seleke went home with P25 000 while MB on the Beat only earned himself P10 000. The new Mokaragana hostess Girly left the YAMAs as the new awardee of Best Female Single for her song ‘BMW’. Best Amapiano went to Deejay Bino’s ‘Touch’ featuring the late Sasa Klaas, Rasun and Da QuTness.

Further, Lloyd BW and Priscilla K’s ‘Have You Ever’ won Best Dance Single, while Best Collaboration was won by FlyBoi Que featuring Jordan MoOzy and FME Luther October on their hit ‘Ndeya’. Ozi F Teddy also made a debut appearance of the YAMAs nominations and snatched Best Hip Hop for his song ‘Negotiate’, where he features Murda.

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WeekendLife

BOMU clears trending misconceptions

21st September 2021
BOMU President Phemelo Lesokwane

Almost every year, Botswana Musicians Union (BOMU) attracts hullabaloo over its annual music awards. This time around, it was not only that. There has been much noise around compliance, Ministry of Youth Empowerment, Sport and Culture Development involvement in the affairs of this organisation, as well as the contentious sponsorship from the Department of Broadcasting Services (DBS).

Following a four-year hiatus, BOMU awards found themselves being the talk of the town due to unfair practices some artists claim clouded the non-complying organisation. These are serious accusations that BOMU has since rubbished as deliberate actions intended to tarnish its reputation.

Some disgruntled artists recently took to the streets to protest against these practices. However, these are not subscribing members of BOMU. Before being cut short by the Police, these artists demanded that the Minister of Youth Empowerment, Sport and Culture Development Tumiso Rakgare step down immediately. They claim that Rakgare has failed his mandate.

On the other hand, they demanded that the Youth Ministry reverse the P500 000 it has splashed on the BOMU awards, and the money be split among artists. A lead protester in these activities, Rhumba artist General Tuco, told Weekendlife that BOMU management should halt the awards and instead clean the organisation’s dirty laundry.

He further indicated that they would be dropping a petition at the DBS offices, urging the group to revoke the P1.5 million sponsorship it has awarded BOMU. Because these discontented artists claim that BOMU is non-compliant, they will also be marching to the Registrar of Societies to express their grievances.

In an interview this week, General Tuco said they are still engaging their attorney to formalise their protest and give them a way forward. The Police deny them a permit to hold their rally. According to information gathered last week, the artists were arrested and released the same day and asked to apply for a protest permit.

BOMU PRESIDENT SPEAKS

BOMU President Phemelo Lesokwane told a media member on Wednesday that “We have seen people on social media dragging our name on the mud as BOMU. They say we are non-compliant, corrupt and unfair. When we get to see who these people are, they are not our members. They call themselves artists, but as legalised agents of artists in Botswana, we do not know them, neither do we know what they are talking about. We condemn these acts.”

Lesokwane rubbished allegations that BOMU is not compliant. “We see journalists giving these guys who masquerade as artists more prime time for them to tarnish our name. But they do not have the evidence. BOMU is compliant, and we have all the documents. We also have verified documents from the Registrar of Societies, who are our key stakeholders.”

Talking about being backbitten, Lesokwane claims that government officials from the Registrar of Societies are promoting what unregistered artists are making noise about in the corridors. Some of these officers fed the Youth Minister Rakgare wrong information about BOMU. BOMU has much work to do in-house.

Further, Lesokwane revealed that when they took over the office, BOMU was mugged some of its finances. Investigations are ongoing to retrieve such monies, he said. As if that is not enough cleaning, Lesokwane has a headache dealing with another faction dubbed BW Artists, which represents artists in the Northside of the country.

“If you could look into the management of this organisation, you would question their interests. Two of them are politicians. Once they fail primary elections, they come back into the music industry and cause chaos. I always say I am going to fight with everything I have together with my team to make sure that we protect artists in Botswana.”

JOURNALISTS FINGERED IN THE BOMU MESS

BOMU President Lesokwane has accused journalists of being biased and unfair to his organisation. He stressed that BOMU depends on members of the press to help rebuild the dying Botswana music industry. “Most articles about our artists speak negatively about them. Foreign artists are always given priority instead of our local artists, but we value journalists as our equally significant stakeholders. We can grow this industry together.”

These media reports, Lesokwane said, have forced stakeholders to withdraw their sponsorships towards the BOMU awards, slated for October 2021. At times they are required to answer for hearsays that are not accurate. He reiterated that BOMU has nothing to hide as it is compliant.

BOMU MUSIC AWARDS CONSULTANT SPEAKS

BOMU Music Awards Consultant Seabelo Modibe has been topping the charts for a long good time. His appointment as a consultant was notorious as critics felt his company was relatively premature at the time of appointment.

He joined the BOMU get-together at the time the awards were still distressed by the hubbub. Many asked if he would manage the heat, but clearly, Modibe is having a hard time. He, however, stressed that BOMU is open to criticism.

“Lot of people say BOMU has been given money to waste. That is not precise. It has sold its product, its broadcasting rights. They were sold for P1.5 million to the DBS. Our contract is for a year, and we will be going back to them in December. MYSC has acquired what we call commercial rights. These are rights that someone buys to promote their mandate. MYSC seeks to promote local music using BOMU awards.”

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